Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


Alessandra Di Castro (Apollo Group), "Need art-related tax reform: Italy deserves a different future"

Alessandra Di Castro (Apollo Group), "Need art-related tax reform: Italy deserves a different future"

Alessandra Di Castro, an antiquarian with a long and relevant experience, has been chairing since 2024, and until 2026, the Apollo Group, which represents the art industry in Italy and brings together antiquarians, art dealers, galleries of ancient, ...
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The Splendors of the Farnese Collection. What the Capitoline Museums exhibition looks like

The Splendors of the Farnese Collection. What the Capitoline Museums exhibition looks like

"All the statues of marble and metal and of every other matter, the office of the Madona illuminated in gold by the said Giulio Clovio et all his libraria in his palace in Rome from whence they cannot be moved or lent or sold or alienated in any way"...
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The Palazzina di Caccia di Stupinigi, the Savoy residence of unexpected wonders

The Palazzina di Caccia di Stupinigi, the Savoy residence of unexpected wonders

What is a deer doing on the dome of one of Piedmont's most fascinating Savoy residences ? Imposing and regal with its stage of well-branched antlers, the animal that has become the symbol of the Stupinigi Hunting Lodge stands out in the sky as if it ...
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In how many ways can silence be depicted? What the Hammershøi exhibition in Rovigo is like.

In how many ways can silence be depicted? What the Hammershøi exhibition in Rovigo is like.

In what different places and in how many different ways can silence be depicted in a painting? In fact, silences are not all the same: there is the silence of domestic quiet, there is the silence of contemplation, the silence of anticipation of a joy...
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A Pierrot and a Harlequin: artists' children also disguised themselves

A Pierrot and a Harlequin: artists' children also disguised themselves

We have all been children and all of us at least once in our lives have dressed up at Carnival as we liked. I always loved dressing up as a princess or fairy, because even as a child I had a romantic, dreamy, fairy tale-loving soul, as I do now, and ...
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The Castle of Agliè, from the home of dukes and princes to the good of all

The Castle of Agliè, from the home of dukes and princes to the good of all

In Agliè Castle , time seems to have stood still at its last inhabitant, Duke Thomas of Savoy-Genoa, who sold it to the Italian state in 1939. Since then, the residence has become a public asset and is open to visitors as part of the circuit o...
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Wilhelm Brasse, the Auschwitz photographer who saved tens of thousands of images

Wilhelm Brasse, the Auschwitz photographer who saved tens of thousands of images

Photographing all the prisoners arriving at the Auschwitz concentration and extermination camp: this was the task of Wilhelm Brasse, still remembered today as the "Auschwitz photographer." Three photos for each prisoner, and while he was shooting, Wi...
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Art in the Ludovisi papacy, among the shortest of the seventeenth century. What the exhibition at the Scuderie del Quirinale looks like.

Art in the Ludovisi papacy, among the shortest of the seventeenth century. What the exhibition at the Scuderie del Quirinale looks like.

The most monumental altarpiece by Giovan Francesco Barbieri known as Guercino was commissioned to the Cento painter in 1621 by Pope Gregory XV, born Alessandro Ludovisi, for the head altar of the north aisle of St. Peter's Basilica, where in 1606 the...
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