Sergio Campagnolo is the dean of press offices dealing with art and culture. A longtime passionate and knowledgeable professional, always available, adept at sensing and interpreting changes and revolutions in the profession, a man behind the scenes ...
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From March 5 to April 11, 2026, Galleria Giovanni Bonelli in Milan presents Ecce Homo, a solo exhibition by Liu Ke (Ning Xiang, 1976) curated by Fabio Cavallucci that marks his first direct confrontation with the Italian context. The title, laden wit...
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The protection of Etruscan artistic and cultural heritage represents a test of primary importance for Italy, considering the historical and identity value of finds and their vulnerability to illegal trafficking and clandestine excavation. The Carabin...
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Lena Müller is a German artist born in Nuremberg in 1983 and grew up immersed in a passion for art and nature. Since childhood she has cultivated a love for drawing and creating personal worlds, inspired by visits to museums with her family and ...
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Last July, Andreina Contessa was appointed director of the newly formed Galleria dell'Accademia di Firenze and Musei del Bargello museum system, which includes the Galleria dell'Accademia di Firenze, the Museo Nazionale del Bargello, the Museo delle ...
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In recent months, there has been much talk in Ravenna about the Floor that Nicola Montalbini (Ravenna, 1986) created for the Biennale del Mosaico Contemporaneo: installed at Porta Adriana, his mosaic has quickly transcended the exhibition dimension t...
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It had already hinted at a major private purchase negotiation that Antonello da Messina 'sEcce Homo had been withdrawn a few hours before theauction at Sotheby's on Feb. 5, an auction that was shaping up to be one of the most notable this year, and i...
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Raised between rigor and imagination, Esther Stocker (Silandro, 1974) has constructed an artistic research that puts order and instability, system and deviation in tension. Active for years in Vienna, the South Tyrolean artist moves between painting,...
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In today's contemporary art world, especially the Italian one, where consensus has often replaced judgment and reputation has taken the place of value, the figure of Luca Rossi, an art collective active since 2009, continues to move like a foreign bo...
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Something has changed in the Church's relationship with the art world, something that goes far beyond the exceptional papal encounters with artists in the Sistine Chapel or the latest ceremonies of the Academy of the Virtuosi at the Pantheon, ultimat...
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What is the meaning of curating contemporary art today, understood as a practice of connecting and surfacing the present? In this interview with Gabriele Landi, Maurizio Coccia, Director of the Center for Contemporary Art Palazzo Lucarini in Trevi (P...
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The book Bellezza Italia. A User's Manual for the Tourism We Want (Primamedia Editore, 172 pages, 16 euros), takes the form of a dialogue between a tourism operator and a cultural operator, namely Roberto Guiggiani (professor of Tourism Markets and T...
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What sense does it make today to talk about art criticism in a world where anyone can express an opinion but real debate is increasingly rare? In the age of the infosphere, social media and supposed cultural democratization, judgment seems to have ta...
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In a long interview in 1996, Federico Zeri carefully analyzed, one by one, the problems, related to the study (and partly to the profession) of art history in Italy. Despite its extraordinary cultural heritage, in Zeri's eyes, in those years the Ital...
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The book Bellezza Italia. A User's Manual for the Tourism We Want (Primamedia Editore, 172 pages, 16 euros), a volume in the form of a dialogue between a tourism operator and a cultural operator, namely Roberto Guiggiani (professor of Tourism Markets...
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Since January 2024, Stella Falzone has been directing the National Archaeological Museum of Taranto, and has brought a strategic vision to transform the MArTA from a place of static conservation into a dynamic and inclusive space at the service of so...
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