Works and artists


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Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

The cultural interaction between Etruscans and Greeks, in what is referred to as Hellenistic Etruria, represents one of the most significant phenomena of antiquity, which left a profound imprint on art, religion and social organization. Indeed, Etrur...
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Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

The happy event has taken place: the Virgin lifts two flaps of the white cloth covering the cradle inside which lies the sleeping newborn Child, to reveal Him to the shepherds who have come to adore Him along with their lambs, an ox and a dog. One, ...
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Kandinsky and Italy: the whole story of a dialogue

Kandinsky and Italy: the whole story of a dialogue

The relationship between Vasily Kandinsky (Moscow, 1866 - Neuilly-sur-Seine, 1944) andItaly is a complex affair, made up of missed encounters, long-distance admiration, and fruitful reworkings that in some ways marked the history of 20th-century art ...
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The She-wolf of Siena: the tale of the fair that became a symbol of the city

The She-wolf of Siena: the tale of the fair that became a symbol of the city

The figure of the She-wolf with twins occupies a foundational role in Siena's imagery because it recalls the city's legendary origins and embodies its deepest identity value. The animal's watchful posture, combined with the vitality of the two infant...
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Dragons in Tuscany: from mythology to the works of the great masters

Dragons in Tuscany: from mythology to the works of the great masters

The dragon, a mythical figure that has always populated the human imagination, has gone through centuries of iconographic transformations until it became the fire-breathing winged monster we know today. Its presence in the figurative arts recounts a ...
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"The ancients always copy us". The Etruscans in contemporary art

"The ancients always copy us". The Etruscans in contemporary art

When, in the eighteenth century, Johann Joachim Winckelmann tries to give a comprehensive shape to the history of ancient art, his gaze constructs a map in which Greece occupies the incandescent center. In the pages of Geschichte der Kunst des Altert...
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Andrea del Sarto's Madonna of the Harpies: symbols and theology behind the monsters

Andrea del Sarto's Madonna of the Harpies: symbols and theology behind the monsters

We owe to Giorgio Vasari the title by which one of Andrea del Sarto 's (Andrea d'Agnolo; Florence, 1486 - 1530) greatest masterpieces is known, the Madonna of the Harpies, a panel more than two meters high that is kept in the Uffizi and is placed at ...
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Lia Pasqualino: the silent portraitist who captures the soul in waiting

Lia Pasqualino: the silent portraitist who captures the soul in waiting

A singular portraitist: this could be the definition of photographer Lia Pasqualino (Palermo, 1970), whose work is imbued with a deep sense of humanity and silence. Granddaughter of the painter Lia Pasqualino Noto (Palermo, 1909 - 1998), she trained ...
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The Etruscans in comics: a journey into reinterpretations of an enigmatic civilization

The Etruscans in comics: a journey into reinterpretations of an enigmatic civilization

When in 1985 the Region of Tuscany dedicated an entire year to the promotion of Etruscan civilization, the project that developed took on a pioneering role in defining new ways of disseminating historical and archaeological heritage. TheYear of the E...
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The advertising vehicles that defined the imagery of Italian fashion.

The advertising vehicles that defined the imagery of Italian fashion.

From the post-World War II period until the early 2000s, Italian fashion built its public identity through a complex bond of communicative tools and aesthetic codes that today represent the heritage of the national imagination. Of great importance, t...
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Beyond matter: new spiritualities and ritual practices in contemporary art

Beyond matter: new spiritualities and ritual practices in contemporary art

It is not a fad. It is not even a comeback. It is a slow infiltration, a trickle that has become a river. For the past few years, contemporary art seems to be crossed by a different whisper, something that resembles prayer but behaves like a wound: i...
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Ten objects to learn about the life and culture of the Etruscans

Ten objects to learn about the life and culture of the Etruscans

What objects provide insight into the complexity, spirituality, and sophistication of the Etruscan people? In short: is it possible to compile a list of ten objects for understanding the Etruscans? We have tried. Cinerary urns and votive bronzes that...
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Guido Guidi, when the everyday becomes a philosophy of life

Guido Guidi, when the everyday becomes a philosophy of life

The work of Guido Guidi (Cesena, Italy, 1941) can be compared to that of a geologist who, instead of looking for gold or diamonds, focuses on sedimentary rocks and seemingly ordinary cracks in the ground. Guidi is not looking for spectacular beauty (...
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The animals of the Palio and where to find them: symbols and identity of the Contrade of Siena

The animals of the Palio and where to find them: symbols and identity of the Contrade of Siena

The Palio di Siena is one of the most fascinating and complex events in Italy, organized directly by the City of Siena. Every year, on July 2 and August 16, ten out of seventeen contrade run the historic competition and compete for the prestigious dr...
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The Rotunda of Rovigo, the shrine that became a mirror of Venetian power

The Rotunda of Rovigo, the shrine that became a mirror of Venetian power

Those who arrive at the Rovigo Rotunda from the most beautiful and most convenient street, the one leading to the long square opened in 1864, are in danger of being fooled: a lawn, pines, two wings of cobblestones and two rows of colorful houses that...
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Not just cuts: why Lucio Fontana was a ceramic genius

Not just cuts: why Lucio Fontana was a ceramic genius

Lucio Fontana (Rosario, 1899 - Comabbio, 1968), although internationally recognized primarily for his Cuts (or, rather, Waits), actually devoted a preponderant part of his creative activity to ceramics, a medium of expression that he radically transf...
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