How can European cathedrals incorporate new works of art without compromising their historical and architectural identity? And what responsibilities come with commissioning a contemporary work intended to become part of a centuries-old…
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Usually, to understand a distant era, we dig: we unearth fragments and try to reconstruct what has been lost. Federica Giulianini (Ravenna, 1990) says she wants to do the opposite. “The exhibition plays on this paradox,&rdquo…
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What does one of Italy’s leading contemporary painters think about art fairs and the art market? We discuss this with Daniele Galliano (Pinerolo, 1961), one of the most interesting figures in contemporary Italian painting. Active on…
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From the gradual depletion of water resources to collective responsibility for water conservation: this is the central theme of *L’ultima goccia* (The Last Drop), Sandro Gorra’s exhibition scheduled from November 25, 2026, to…
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On November 4, 1966, the Arno River flooded Florence, causing extensive damage to the city’s historical and artistic heritage. Sixty years after that event, the relationship between the Tuscan capital and its river takes center stage…
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In Milan, from November 11 to December 19, 2026, the Doris Ghetta Gallery presents *Qui il sentiero si perde* (Here the Path Disappears), a solo exhibition by Alessandro Artini (Tione di Trento, 2000), at its gallery space. The exhibition…
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In a notebook belonging to Édouard Manet (Paris, 1832–1883), a name appears: Laure. It is the name of the woman the painter portrayed between 1862 and 1863—the same woman who,in *Olympia*(now at the Musée d’Orsay…
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News Focus Art Fairs Artissima Contemporary art
How has Artissima changed over the past ten years? How many galleries remain loyal to the fair, how many have tried it just once, how many drop out, how many return, and what do the changes in the fair’s composition suggest? We tried…
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