Living on the threshold, without having to choose which side to take. This is perhaps the image that best captures the way Gabriele Salvaterra views curating, art, and even his own role within the art system. As a curator, critic, and museum professi...
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Fabrizio Plessi (1940 – 2026) inaugurated the newly restored Venice Pavilion in the Biennale Gardens in 2011 with a large and magnificent installation consisting of 12 vertical wooden boats, tilted by a few degrees, through which cascades of “e...
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I can certainly say that I have been a fairly regular participant and observer of the art world since the mid-1980s. I therefore believe I have a fairly consistent perspective over the medium to long term, but I am well aware that I am not in a posit...
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Can the Venice Biennale also be interpreted as a relationship between artistic experimentation, the market, and systems of cultural support? That is what curator Adina Drinceanu attempts to do in this interview with Noemi Capoccia, in which she offer...
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In 2004, during a trip to Calabria, the artist Brunivo Buttarelli (Casalmaggiore, 1946) came across an olive tree devastated by arson: it had been burned from the inside and seemed beyond saving. Buttarelli, however, interpreted it differently: not m...
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From October 3 to December 8, 2026,Matera will host *The Sea Is Closer Than You See*, a site-specific group exhibition dedicated to the relationship between contemporary art, digital technologies, artificial intelligence, and Mediterranean culture. T...
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The Mediterranean as a constantly evolving space, shaped by environmental, social, technological, and cultural changes. This is the starting point for the third edition of the Biennale dello Stretto, running from September 18 to December 13, 2026. Th...
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A work by Mario Merz greets visitors upon enteringthe INOC—the Candiolo National Oncology Institute: *Doppio igloo di Porto*, featuring the Fibonacci sequence, was chosen to celebrate the 40th anniversary of the Allegra Agnelli Foundation for Cancer ...
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