Luisa Laureati left us in the past few days, a gallerist mainly of contemporary art, hers was the Galleria dell'Oca she founded in 1965, and a figure who walked directly through the world of Roman culture in those years. The years when Italy opposed ...
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In recent days one of today's most important Italian poets, Valerio Magrelli, published an alarming article on the increasing number of contemporary art sculptures made of all kinds of materials and in random and more or less useless forms that are n...
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In the face of the environmental tragedies that increasingly strike Italy - these days the fourth flood in two years in part of Emilia, including Bologna - with deaths, missing people, thousands homeless, hundreds of millions in damages and so on, I ...
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Many violent controversies have stirred the waters of the Ministry of Culture in recent days. Controversies with which the work of the two most recent ministers, Gennaro Sangiuliano and Dario Franceschini, has been stigmatized, and which have resulte...
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We publish below, as anticipated inBruno Zanardi's article last May 18, and after the article written by Francis Haskell, the one written by Alberto Arbasino for the book that Guanda published in 1990 on the occasion of the restoration of Correggio's...
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We publish below, as anticipated inBruno Zanardi's article last May 18, the article written by Francis Haskell in the book that Guanda published in 1990 on the occasion of the restoration of Correggio's frescoes in the dome of San Giovanni in Parma. ...
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As already written in the December 31, 2023issue of "Finestre sull'Arte," in the 1980s Parma was becoming a small restoration capital in Italy. The then Vicar General of the Diocese, Monsignor Franco Grisenti, a priest with great organizational skill...
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I am asked by "Finestre Sull'Arte" for an opinion on the display at Fiumicino airport of three large panels of the stained-glass window that originally stood at the end of the right aisle of the Basilica of Santa Croce in Florence. Erratic panels tha...
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