Federico Giannini. Giornalista, co-fondatore di Finestre sull'Arte, direttore responsabile della testata. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2025 ha scritto il libro Vero, Falso, Fake. Credenze, errori e falsità nel mondo dell'arte (Giunti editore). Per la tv è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5).
Ilaria Baratta. Giornalista, co-fondatrice di Finestre sull'Arte, caporedattrice della testata. È nata a Carrara nel 1987 e si è laureata a Pisa in Lingue e Letterature Straniere.
Located in Pavia, inside the basilica of San Pietro in Ciel d'Oro, is one of the pinnacles of Italian Gothic sculpture: theArk of St. Augustine. This imposing cenotaph (i.e., a funerary monument not intended to hold the remains of the deceased, as it...
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In 2003 a conference was held in Cesena celebrating the 550th anniversary of the opening of one of Italy's most illustrious cultural jewels, the Biblioteca Malatestiana, inaugurated in 1454: the organizers decided to give that day of study a title, T...
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The monographic exhibition on Emilio Malerba (Milan, 1878 - 1926) that the Fondazione Ragghianti of Lucca dedicated to the great Milanese painter on the centenary of his death, the first modern monographic exhibition devoted to him (curated by Paolo ...
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Last days to see the 2026 edition of Modenantiquaria, the thirty-ninth of the event dedicated to high antiques that over time has assumed a stable role in the national and international fair calendar. Inaugurated last Friday, Feb. 6, with a convivial...
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The 49th edition of Arte Fiera in Bologna opens under a light of substantial interest and curiosity for the passing of the baton to the artistic direction, which sees Davide Ferri succeed Simone Menegoi: the new director has imprinted the event with ...
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We owe to Giorgio Vasari the title by which one of Andrea del Sarto 's (Andrea d'Agnolo; Florence, 1486 - 1530) greatest masterpieces is known, the Madonna of the Harpies, a panel more than two meters high that is kept in the Uffizi and is placed at ...
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The 2025 edition of AMART, the Milan antiques show that has long been confirmed as being at the top in terms of the quality of the proposal and the relevance of the gallerists who participate, opened today.This year, the appointment is from November...
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After a somewhat interlocutory 2024, with an edition not exactly like those of a few years ago, there is a different air in Artissima this year: more quality, a fair that does not seek to expand its identity to excess but aims to confirm it, to refin...
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