London, Pre-Raphaelite fairy tales from Albert Zuckerman's collection up for auction at Christie's


Christie's in London is auctioning twenty works from the Albert Zuckerman collection, including Pre-Raphaelites, Symbolists, and Victorian art, at auction during summer Classic Week, with a masterpiece by John Melhuish Strudwick estimated at up to £1 million.

London is gearing up for a major art sale during Christie’s Classic Week, which will auction 20 works from Albert Zuckerman’s celebrated collection this summer. The collection, amassed, lived in, and loved by the well-known New York literary agent for more than three decades, includes works from the Pre-Raphaelite and Symbolist movements, alongside masterpieces of Victorian painting and 19th-century European art. Prominent among them are paintings and drawings inspired by the world of fairy tales, poetry, music and the works of Shakespeare, reflecting Zuckerman’s eclectic taste and cultural passion.

Albert Zuckerman, who died in 2026, was a leading figure in the international literary scene. Founder in 1973 of the celebrated literary agency Writers House, Zuckerman guided such world-renowned authors as Dan Brown, Ken Follett and Stephen Hawking. In 1994 he published Writing the Blockbuster Novel, a writing manual that became an international bestseller and was recently translated into Mandarin in 2023. In his career path, Zuckerman called himself a kind of “midwife” of books, accompanying authors in the birth of their novels. Before turning to publishing, he cultivated a deep interest in theater and Shakespeare, studying at Yale Drama School, where he developed a thesis on Hamlet, and working briefly in the academy and as an author of novels, plays and scripts for soap operas such as Edge of Night.

The most anticipated piece in the collection is undoubtedly Thy Music... by John Melhuish Strudwick, made in 1893 and estimated at between 700,000 and 1,000,000 pounds (810,000 to 1.16 million euros). The painting was purchased directly from the artist by shipping magnate William Imrie, one of the founding partners of the White Star Line, the company that launched the Titanic. This masterpiece will be offered during the Old Masters Evening Sale on June 30, while other works from the collection will be featured in the Old Masters to Modern Day auction on July 1.

John Melhuish Strudwick, Thy music faintly falling dies away. Thy dear eyes dream that Love will live for aye
John Melhuish Strudwick, Thy Music faintly falling dies away. Thy dear eyes dream that Love will live for aye
Walter Crane, Ensigns of Spring (1894)
Walter Crane, Ensigns of Spring (1894)
Robert Huskisson, Titania asleep. 'There sleeps Titania... '. A Midsummer Night's Dream, Act II, Scene I
Robert Huskisson, Titania asleep. ’There sleeps Titania... ’. A Midsummer Night’s Dream, Act II, Scene I

John Melhuish Strudwick, belonging to the second generation of Pre-Raphaelite artists, was directly influenced by Edward Burne-Jones, William Morris, and the Italian artists of the late fifteenth and early sixteenth centuries, such as Botticelli. This approach characterized his view of Pre-Raffaellite painting and solidified his contemporary view of that movement. Thy Music..., made at the height of Strudwick’s career, represents an emblematic example of the “cult of beauty” promoted by the Pre-Raphaelite and Aesthetic movements, which sought to escape the industrialization of Victorian England through the creation of artistic works conceived primarily for their beauty, without deep meaning.

The painting depicts a young musician immersed in a dreamlike atmosphere. The composition clearly recalls the art of Florence, particularly Botticelli, through the framing of the figure, the richly decorated fabrics, and the painterly quality reminiscent of tempera. Despite these Italian influences, the work is a distinctively British Romantic response to the Italian Renaissance. The central theme, the aural evocation of the music depicted, embodied one of the fundamental tenets of the English Aesthetic movement. Among Strudwick’s works, Thy Music... stands out for the complexity of its textile motifs and anticipates the obsession with textiles that would characterize the final generation of Pre-Raphaelites, known as the “Last Romantics.”

Albert Joseph Moore, Pansies
Albert Joseph Moore, Pansies
Henry Meynell Rheam, Once Upon a Time: Snow White
Henry Meynell Rheam, Once upon a time: Snow White
John Anster Fitzgerald, The Fairy Bower
John Anster Fitzgerald, The Fairy Bower
Henry Treffry Dunn (attributed), Lady Lilith
Henry Treffry Dunn (attributed), Lady Lilith

Sarah Reynolds, auction manager for Victorian, Pre-Raphaelite and British Impressionist art at Christie’s London, commented, “The timeless appeal of these works pays homage to Albert Zuckerman and his home in Chelsea, New York. With refined irony and culture, he surrounded himself with paintings chosen for their literary subject matter, beauty and excellent execution.”

The Zuckerman collection, then, represents not only a testament to the collecting taste of a single enthusiast, but also an opportunity to understand the evolution of nineteenth-century British art and its cultural roots in literature, music and theater. Each work in the auction tells a story, reflects a sensibility and an era, carrying with it the intellectual fascination and aesthetic care that Zuckerman knew how to select and cultivate throughout his life.

The London auction promises to attract collectors and enthusiasts from around the world, offering a privileged glimpse into Albert Zuckerman’s home and cultural universe, where literature, art and music coexist in a rare and precious synthesis. Christie’s Classic Week, then, becomes not only a market event, but also a cultural experience, capable of transporting the observer into a world of fairy tale and beauty.

London, Pre-Raphaelite fairy tales from Albert Zuckerman's collection up for auction at Christie's
London, Pre-Raphaelite fairy tales from Albert Zuckerman's collection up for auction at Christie's



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