Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
An exhibition on Georges de la Tour is already an event even before it opens. And the one that has been running since mid-September at the Musée Jacquemart-André in Paris(Georges de la Tour. Entre ombre et lumière) was announced ...
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The history of Italian pointillism passes through Genoa. Pass through Genoa the social unrest that would later spill over into the arts. Passing through Genoa were the first Symbolist hotbeds that animated Italian painting in the latter part of the 1...
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Caps jumping, splashing, flying in all directions above and below the Alps. They celebrated, the lords of contemporary art. They've kept the finest bottles chilled and popped them at that time of year when the hordes of pilgrims, devotees, enthusiast...
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It is surprising that there is little or no talk in Italy about the muscular exhibition that the Louvre has organized to reconstruct the story of Jacques-Louis David exactly two hundred years after his death. In terms of completeness and volume of ma...
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Those who arrive at the Rovigo Rotunda from the most beautiful and most convenient street, the one leading to the long square opened in 1864, are in danger of being fooled: a lawn, pines, two wings of cobblestones and two rows of colorful houses that...
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This is not the first time on these pages that we have dealt with the FAI days. Certainly a commendable initiative, since the Fondo Ambiente Italiano offers the possibility to visit, throughout Italy, sites that would otherwise be closed, or little o...
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What reasons still prevent Verona from having its great museum, its Great Castelvecchio, a complex that is finally united in all its parts, and that may yet prove to be, as it was more than fifty years ago, a model capable of innovating, of opening u...
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Wanting to choose one work that can offer an effective synthesis of the 18th Rome Quadrennial, Fantastica, which opened a few days ago at the Palazzo delle Esposizioni, I would not have many doubts and would immediately point to a painting by Siro Cu...
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