Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
In fact, it had been too long since anyone last hatched an editorial about how despicable the exhibitions we see in Italy each year are. We were getting worried. Why has no one complained yet this fall about the vile garbage heap that is the Italic e...
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We tend to associate Giovanni Segantini's painting with alpine landscapes, snow, and mountains. Angelo Conti, in Beata Riva, a fundamental treatise on aesthetics, said that Segantini was "the revealer of the mountain," because "no one like him ever h...
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The book Bellezza Italia. A User's Manual for the Tourism We Want (Primamedia Editore, 172 pages, 16 euros), takes the form of a dialogue between a tourism operator and a cultural operator, namely Roberto Guiggiani (professor of Tourism Markets and T...
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It is hard to deny that this historical moment is particularly happy for the so-called "painters of reality," if there is still to be used that formula, invented in the 1930s and then made his own in 1953 by Roberto Longhi, who made itmade it famous,...
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A few days ago, in the Financial Times, Bendor Grosvenor produced himself in that frivolous exercise in style for facetious people that is imagining the future of a profession, moreover in the light of the achievements, real or presumed, of artificia...
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The book Bellezza Italia. A User's Manual for the Tourism We Want (Primamedia Editore, 172 pages, 16 euros), a volume in the form of a dialogue between a tourism operator and a cultural operator, namely Roberto Guiggiani (professor of Tourism Markets...
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Enzo Azzoni, a ninety-five-year-old Verbano photographer and runner who at his young age still continues to win Italian masters championships in track and field, is right. He is right when he says that we must not forget that today we can know and ap...
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Almost half of what is preserved at the Brera Art Gallery is due to the ideas and taste of a man, Andrea Appiani, who was well regimented within the Napoleonic bureaucratic apparatus. Right from the start: as early as 1796, the year of Napoleon's arr...
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