Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
There is a work by Canova among the colored marbles of the church of Sant'Antonio dei Portoghesi in Rome. It is certainly not counted among his masterpieces, much less listed among his best-known works, and most do not even know of its existence. The...
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Puffy, full, fake, soft, touchable clouds. Folds that look like wet metal. Ivory faces, slightly flushed, delicate, expressive. He is the easily recognizable artist Malosso, and it is probably also to this recognizability that we owe the success that...
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What does art do in the face of the massacre that takes place before our eyes every day in the Gaza Strip? Manuela Gandini, art critic of the Turin newspaper and professor at NABA in Milan, asks this question in an article published the day before ye...
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Why it's almost impossible to find art criticism on social The social world, dominated by influencers and creators in all fields, is becoming less and less fertile ground for criticism: it's happening for art criticism, too. Here's why.
The now scan...
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The funniest aspect of the story of the mayor of Merano taking off her tricolor sash is actually, at least to my sensibilities, a curious side detail: in the videos of the celebrations broadcast by the local TV33, Mrs. Katharina Zeller can be seen in...
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Anyone wandering through the rooms of the major exhibition that the Castello del Buonconsiglio in Trento dedicates to Giacomo Francesco Cipper cannot help but notice a certain insistence on objects and a certain insistence on smiles. It is perhaps th...
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Italian museums with more than 60 million visitors, revenues that almost reached 400 million euros: numbers that, for state museums, had never been seen before this year. Culture Minister Alessandro Giuli therefore did not hesitate to speak of "the b...
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St. Ignatius lived here. In the quiet of four rooms, four "little rooms" as everyone now calls them, in a little palace that he and his companions had built to give a first home to the Society of Jesus, after Pope Paul III, it was Sept. 27, 1540, app...
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