Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
Nicolo Barabino proved that Mary of Nazareth is a woman made of verse and ink, that her image is a profoundly human construct, is the badge of devout, radiant, delicate consummation. He, however, had no knowledge of it; he was just a painter who had ...
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A few days ago, we were roughly at the beginning of the second week of the Olympics, Aldo Cazzullo wrote in the Corriere that "Milan is not at all pervaded by Olympic fever," and that after the inauguration the Milan-Cortina 2026 Games were "flowing ...
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Piazza Mignanelli has been filled with mirrors since Joana Vasconcelos brought us her I'll be your mirror, the work that, if you will, acts as an overture to her solo show Venus, set up a few meters ahead in the rooms of PM23, the Valentino Garavani ...
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In order to enter the ascetic universe of Bartolomeo Cesi it is necessary to abandon on the threshold any sort of prejudice connected with the times and places in which he painted, it is necessary to clear one's mind of any preconception about the ar...
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There is some lateral significance to be found in the fact that the Italian state has decided to invest nearly $15 million, or 12.5 million euros at today's exchange rate, to purchase Antonello da Messina'sEcce Homo that everyone, even those who have...
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This is not an article on what Domenica Primerano, director of the Tridentine Diocesan Museum from 2014 to 2021, did during the years she worked inside the halls of Palazzo Pretorio: we had already spoken on the subject in abundance in the aftermath ...
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When there was the presentation to the press of the exhibition that the Opera della Primaziale of Pisa wanted to dedicate to the centenary of the relocation of Giovanni Pisano's pulpit in the cathedral, the piece that most attracted the attentions of...
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A Lucrezia by Guido Reni of very high Genoese provenance, a fine product of the extreme phase of the Bolognese painter's career, has re-emerged from oblivion and has been purchased by the Ministry of Culture for the National Gallery of Liguria in Gen...
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