Who is Federico Giannini

Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).

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Federico Giannini


All the articles by Federico Giannini on Finestre sull'Arte


"If art has no value for our lives, we can bury it!" Luca Rossi speaks

"If art has no value for our lives, we can bury it!" Luca Rossi speaks

Luca Rossi is an art collective and critic who has been lashing out at the contemporary art world, live and online, since 2009, with targeted actions, artworks that have often focused on highly topical issues (e.g., infodemics, the constant flow of i...
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Giovanni Fattori, a revolutionary painter. What the Livorno exhibition looks like

Giovanni Fattori, a revolutionary painter. What the Livorno exhibition looks like

There is perhaps some significance in the fact that one of the biggest revolutions in painting of the 19th century started in Livorno. Vincenzo Farinella, lone curator of the Giovanni Fattori 200th anniversary exhibition that recently opened at Villa...
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The works that tell the story of Rodolfo Siviero. What the exhibition in Bibbona and Guardistallo looks like.

The works that tell the story of Rodolfo Siviero. What the exhibition in Bibbona and Guardistallo looks like.

The Siviero House in Florence has been closed for some time for some major restoration work that will keep its doors barred until next spring. It must be said, however, that it is a museum that has no desire to sit still, and for the past few months ...
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For those who don't understand a cube: long interview with Eike Schmidt on the former Municipal Theater

For those who don't understand a cube: long interview with Eike Schmidt on the former Municipal Theater

It is the case that has stirred up discussion throughout Florence and beyond: the building that has taken the place of the former Municipal Theater, for which there has been an almost unanimous outcry because of the profile that greatly impacts the n...
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Why what Trump is doing to American museums is serious and undemocratic

Why what Trump is doing to American museums is serious and undemocratic

For the past eight years there has existed in the United States a group of political scientists of all orientations, about 500 in all, that has been tightly monitoring the resilience of all democratic practices in the country to assess their resilien...
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Florence City Theatre: let's keep the black cube, a monument to redevelopment

Florence City Theatre: let's keep the black cube, a monument to redevelopment

On the black cube that has begun to batter the buildings of the Vespucci embankment in Florence since this summer, the only clarifications, for the moment, should be asked of the Soprintendenza: it will be necessary to know why, at least for the mome...
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Aleardo Kutufà, the rediscovery of an eclectic symbolist. What the Collesalvetti exhibition looks like.

Aleardo Kutufà, the rediscovery of an eclectic symbolist. What the Collesalvetti exhibition looks like.

Toward the end of the exhibition that Collesalvetti's Pinacoteca Comunale "Carlo Servolini" is dedicating, until Oct. 2, 2025, to Aleardo Kutufà, a singular, versatile genius who has fallen into oblivion, appears awork, a chromotype by Marcel-...
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Endangered reviews: Associated Press cuts them, will we succumb to storytelling?

Endangered reviews: Associated Press cuts them, will we succumb to storytelling?

The user-generated Internet has produced one of the most unique cultural paradoxes of our time: the decline of professional reviews in the face of the rampant pervasiveness of amateur reviews, rendered on any product or service that can be purchased ...
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