Federico Giannini è giornalista, direttore responsabile di Finestre sull'Arte. Nato a Massa nel 1986, si è laureato nel 2010 in Informatica Umanistica all’Università di Pisa. Nel 2009 ha iniziato a lavorare nel settore della comunicazione su web, con particolare riferimento alla comunicazione per i beni culturali. Iscritto all’Ordine Nazionale dei Giornalisti dal 2017, specializzato in arte e storia dell’arte. Nel 2017 ha fondato con Ilaria Baratta la rivista Finestre sull’Arte, iscritta al registro della stampa del Tribunale di Massa dal giugno 2017. Dalla fondazione è direttore responsabile della rivista. Collabora e ha collaborato con diverse riviste, tra cui Art e Dossier e Left. Al suo attivo anche docenze in materia di giornalismo culturale (presso Università di Genova e Ordine dei Giornalisti). Per la televisione è stato autore del documentario Le mani dell’arte (Rai 5) ed è stato tra i presentatori del programma Dorian – L’arte non invecchia (Rai 5). Partecipa regolarmente come relatore e moderatore su temi di arte e cultura a numerosi convegni (tra gli altri: Lu.Bec. Lucca Beni Culturali, Ro.Me Exhibition, Con-Vivere Festival, TTG Travel Experience).
All the articles by Federico Giannini on Finestre sull'Arte
For what reasons, in May 2024, did the National Gallery of Umbria pay a sum of 100 thousand euros to the National Gallery of Modern and Contemporary Art for the loan of Gustav Klimt's The Three Ages ? Was an exception made to the guidelines governing...
Read more...
Who, then, was Gian Lorenzo Bernini? In front of the long, uniform, sumptuous gallery of portraits gathered in the rooms on the first floor of Palazzo Barberini, one might be tempted to dismiss the feeling that Bernini was a man who disdained any for...
Read more...
From the few openings of the first editions (the debut in 1993), to a mobilization that involves hundreds of cities and hundreds of thousands of people each year, the FAI Spring Days have become one of the most participated cultural events in Italy. ...
Read more...
Since the issue of the Russian presence at the Venice Biennale has become common knowledge, the social pages of newspapers and art magazines, including the one I direct, have become a receptacle for amiable quips about the freedom of art (to which, f...
Read more...
After the case of the bust of Sant'Agnese fuori le Mura, the last few days a new proposed attribution to Michelangelo Buonarroti (Caprese, 1475 - Rome, 1564) concerning a painting depicting a Pieta has rekindled the interest of scholars and observers...
Read more...
We could hardly have imagined, even a couple of weeks ago, that we would be forced to see a Venice Biennale this year that reopens its doors to Russia. A legitimization, a rehabilitation in all respects. Let's start immediately with an observation: t...
Read more...
Let us pretend, for the next five lines, that the adjective "retrospective" referring to an exhibition is nice to read and above all has some classificatory potential, some determinative value. Well: the "retrospective" exhibition of an artist workin...
Read more...
Sergio Campagnolo is the dean of press offices dealing with art and culture. A longtime passionate and knowledgeable professional, always available, adept at sensing and interpreting changes and revolutions in the profession, a man behind the scenes ...
Read more...