Sandro Debono

Sandro Debono
Pensatore del museo e stratega culturale. Insegna museologia all'Università di Malta, è membro del comitato scientifico dell’Anchorage Museum (Alaska) oltre che membro della European Museum Academy. Curatore di svariate mostre internazionali, autore di svariati libri. Scrive spesso sui futuri del museo ed ha il suo blog: The Humanist Museum. Recentemente è stato riconosciuto dalla Presidenza della Repubblica Italiana cavaliere dell’Ordine della Stella d’Italia e dal Ministero della Cultura Francese Chevalier des Arts et des Lettres per il suo contributo nel campo della cultura.


A participatory museum site. The case of the MAR - Regional Archaeological Museum of Aosta.

A participatory museum site. The case of the MAR - Regional Archaeological Museum of Aosta.

Imagine a museum that is easy to understand, engaging for you and yours, requiring no specialized skills to interact with objects and content. Imagine a museum where you would feel comfortable, where you could find answers to varied questions that ar...
Read more...
Podcasts, audio guides, radio, music: what audio tools for the museum

Podcasts, audio guides, radio, music: what audio tools for the museum

The pandemic of COVID-19 now seems to be a thing of the past, but if there is one thing museums can safely take as a moral of those unprecedented times, it is the fact that digital matters. Indeed, we might add that the potential that digital holds i...
Read more...
What is a museum? Thoughts on the new definition

What is a museum? Thoughts on the new definition

Last week ICOM announced a new definition of museum to replace the one in place since 2007. The process was no stranger to controversy, not to mention resignation, with a definition with a dual purpose proposed in 2019 and sent backto the discussion ...
Read more...
Phygital: what does it mean? And what is a phygital museum?

Phygital: what does it mean? And what is a phygital museum?

Let's get straight to the point. Linguistically, the word phygital is a combination of the words physical ("physical") and digital ("digital") to indicate the ever-increasing experiential intersection and fusion between these two worlds. In...
Read more...
Artworks in the age of virtual between digital twins and NFT Phygital

Artworks in the age of virtual between digital twins and NFT Phygital

Not surprisingly, the editorial in the latest issue of The Burlington Magazine (March 2022) is devoted to art in the age of digital reproduction. Taking a cue from Walter Benjamin's 1936 essay The Work of Art in the Age of Mechanical Reprodu...
Read more...
Museums and the hype around NFTs

Museums and the hype around NFTs

I have been thinking about this article for some time as I observed the ways and means by which museums have jumped on the hype bandwagon for NFTs. Some of this has probably been influenced by circumstances, particularly the hard-hit revenue ...
Read more...
Will museums have enough money to stay open?

Will museums have enough money to stay open?

This article has been in the works for some time since my first piece on this very fascinating topic in September 2020. For that article, I had chosen one question as the title. I am again choosing one question as the title, however, this t...
Read more...
Closed with open doors. Reflections on the immediate future of museums

Closed with open doors. Reflections on the immediate future of museums

A few months ago, as museums around the world ajar their doors waiting for the public to visit again, this phrase from Maira Kalman resonated even louder: "a museum visit is a search for beauty, truth and meaning in our lives. Go to the museum ...
Read more...
An Italian museum summit? Yes!

An Italian museum summit? Yes!

It was held last July, and I had the pleasure and honor of contributing. A project led by Michele Da Rold, entrepreneur as well as author of the book Ogni Maledetto Museo, which also takes the form of a video podcast. Michele holds a bachelor's d...
Read more...
Where should museums get their money from? The sustainability of museums post-Covid

Where should museums get their money from? The sustainability of museums post-Covid

A museum is a nonprofit institution serving society. We know this because that is how the definition of "museum" still reads, the one that has recently been questioned and is still being debated (or so it would seem). Should we therefore stop he...
Read more...
Is there such a thing as a "non-museum"? The challenge to abandon stereotypes

Is there such a thing as a "non-museum"? The challenge to abandon stereotypes

The following statements are an intentional contradiction, of which I am fully aware. There is much truth in contradictions, I dare say. But how can something, especially an institution, be a contradiction of itself and of its own raison d'&eci...
Read more...
Museum thinking. A definition of the work of "museum thinker"

Museum thinking. A definition of the work of "museum thinker"

In early January, my friend David Vuillaume, president of NEMO (Network of European Museum Organizations) posted a link to a study on museum professionals published by the German Museum Association. The study is helpful in confirming, once agai...
Read more...
Can you fix it? Of course! Museums and the "Fix-it Bob" mentality.

Can you fix it? Of course! Museums and the "Fix-it Bob" mentality.

Of course we can! This is the mindset I have shared with museum colleagues on social media and beyond. There are certainly things in museums that need fixing, now more than ever. And the tools are there, ready, available and at hand. Equipped wit...
Read more...
The empty museum. Museum landscapes in the post-pandemic.

The empty museum. Museum landscapes in the post-pandemic.

The difficult and gigantic challenges museums are facing right now, all over the world, are making headlines. Covid-19 kept museums in every corner of the globe closed and, as expected, left them with nothing but their online presence. Now more...
Read more...
The keyhole view. The experience of museum audiences during COVID-19

The keyhole view. The experience of museum audiences during COVID-19

Stuck in our homes as never before, and forced to learn to live much more within confined spaces, we tried hard to become much more familiar with keyhole views. I have chosen to describe the views that cameras and screens offered us, and still offer ...
Read more...
Fragile beauty. What trends are emerging for post-Covid museums.

Fragile beauty. What trends are emerging for post-Covid museums.

"The apocalypse we've been waiting for." This statement by American activist Aja Taylor was impressive enough to make me think. How can this be so? That is, how can an apocalypse that disrupts our way of life be welcomed and even benefic...
Read more...
The R index for museums: the compass for these difficult times

The R index for museums: the compass for these difficult times

Thoughts and reflections presented at the international online conference "Museums and Covid-19 - Challenges, Re-evaluation and Future Perspectives," organized as part of the Be Museumer project. We have been hearing about it for days, weeks, ...
Read more...
The museum pandemic: why transmedia thinking can be a solution

The museum pandemic: why transmedia thinking can be a solution

What does the word "pandemic" really mean? Scanning official dictionaries, pandemic is an epidemic that occurs over a large geographic area and affects a high percentage of the population. And so far so good. What we are experiencing, however, goes...
Read more...
Three questions museums should ask themselves after Covid-19

Three questions museums should ask themselves after Covid-19

In May, while doing research for my webinar Museum Lives in Post-Pandemicforthe Network of European Museums Organizations, I had the pleasure of a conversation among colleagues about the future of museums. At one point I couldn't help but be inspir...
Read more...
Museums should use Harry Potter glasses. Talk about convergent culture

Museums should use Harry Potter glasses. Talk about convergent culture

With this article I am going to get straight to the point. What really matters today, even more than before, is not digital. I think what will matter most is the careful choice of engagement tools that each museum will best use to communicate its e...
Read more...
Material culture and negative space: acquisitions and narratives in museums in the era of Black Lives Matter

Material culture and negative space: acquisitions and narratives in museums in the era of Black Lives Matter

The museum world's view of the fate of monuments in the aftermath of the Black Lives Matter protests could be described as pure outrage. But even so, I would choose Julia Rindleman 's photograph as evidence of material culture on the Black Lives Ma...
Read more...