Storico dell'Arte e divulgatore scientifico. Ho 25 anni, sono nato a Genova e qui ho compiuto tutto il mio percorso di studio universitario, conseguendo la Laurea triennale in Conservazione dei Beni Culturali e la Laurea magistrale in Storia dell'Arte e Valorizzazione del patrimonio storico artistico. Attualmente ho conseguito l'accesso alla Scuola di Specializzazione in Beni Storico-Artistici di Genova.
All the articles by Giorgio Dellacasa on Finestre sull'Arte
Right in the heart of Genoa, along that noble street that, starting in the first half of the 19th century, was known as “Strada carrettabile Carlo Alberto”—and is now called Via San Lorenzo—stands one of the most famous, representative, a...
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"Run, O Mènads, run, O Mènads,[...] amidst phrygian songs, amidst cries, while from the sacred harmonious flute vibrate sacred melodies that guide those who to the mount hurl themselves. And agile as a filly through the fields free, fol...
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On the occasion of the redevelopment of the Crypt of the Church of Sant'Agnese in Agone with the new artistic and architectural lighting system donated by Webuild Group, we discover the history of Piazza Navona, from antiquity to the present.
"Every...
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Collection [col-le-zió-ne] s. f. [from Latin collectio -onis, der. of colligÄ•re "to collect"]. - An orderly collection of objects of the same kind having value either for their intrinsic value or for their historical or artistic or scientific...
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His works will be "highly esteemed in every time and place" thanks to the "perfection in the use of brushes." This is how Raffaele Soprani, in Lives de pittori scoltori et, architetteti genovesi (1674), opens the medallion dedicated to Bernardo Stroz...
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"Restoration is a critical act." This was the definition coined by Paul Philippot (1925 - 2016), among the founding fathers of ICCROM, and which equally strongly was taken up and expanded by Giovanni Carbonara (1942 - 2023), professor emeritus of Arc...
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"Color is not stone." These simple words, attributed to Pieter Paul Rubens by Jacob Burckhardt, allow us to understand the neuralgic centrality held by the "Father of the Baroque," but, at the same time, they might limit the analysis of a personality...
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"He rewrote the hierarchies between the divine and the human as only a 'demigod of the fable,' a hero of mythical time could have done. "1 This is how the French writer Stendhal, in his Life of Napoleon (1817-1818), sketches the figure of the fat...
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