Francesca Anita Gigli, nata nel 1995, è giornalista e content creator. Collabora con Finestre sull’Arte dal 2022, realizzando articoli per l’edizione online e cartacea. È autrice e voce di Oltre la tela, podcast realizzato con Cubo Unipol, e di Intelligenza Reale, prodotto da Gli Ascoltabili. Dal 2021 porta avanti Likeitalians, progetto attraverso cui racconta l’arte sui social, collaborando con istituzioni e realtà culturali come Palazzo Martinengo, Silvana Editoriale e Ares Torino. Oltre all’attività online, organizza eventi culturali e laboratori didattici nelle scuole. Ha partecipato come speaker a talk divulgativi per enti pubblici, tra cui il Fermento Festival di Urgnano e più volte all’Università di Foggia. È docente di Social Media Marketing e linguaggi dell’arte contemporanea per la grafica.
All the articles by Francesca Anita Gigli on Finestre sull'Arte
There is an emptiness that nails, made of all that we have chosen not to be, all those versions of us that we have left behind out of fear, out of inertia, out of survival. An emptiness that does not show itself violently, but creeps in like a subtle...
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Rain muffles edges, blurs lines, deactivates the habitual geometry of things. It produces a different topography of the visible, in which the solidity of forms surrenders to a softer logic, more available to error and variation. Volumes become thinne...
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April 2025. Coachella. A legend appears on stage and time does not stand still. During one of the festival's most anticipated evenings, Benson Boone (a young artist who grew up in a system that favors accessibility over emphasis and continuous st...
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Starting April 9, 2025, the United States will introduce a 20 percent tariff on a wide range of imports from the European Union. It's one of the first muscular moves of Donald Trump's second term, billed as an "economic liberation day," but one that ...
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Pleasure is a game of shadows and reflections that has always climbed into the impalpable fabrics of art, enveloping each work in veils of mystery and desire in which the gaze sneaks furtively from a curtain raised with studied lightness, from a smal...
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It has often been repeated, slavishly following a pure and forcibly utopian ideal, that art elevates and purifies the soul of the viewer lost in the world. But art has not been (and probably never will be) a mere site of that longed-for "beauty," or ...
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Since time immemorial, in human history, hands have made themselves eternal protagonists, ancient and irreplaceable tools that shape, transform, create and destroy by the mere force of gesture. In the photographic workshop of Ugo Mulas, these very sk...
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The work of the famous French photographer Henri Cartier-Bresson is made up of glances, of moments captured at the wrong moment or mistakes made at the right time. It surely stems from a deep and enduring connection with Italy, from a keen eye for sq...
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