From Nov. 5 to Nov. 9, Milan ’s Museo della Permanente will host the seventh edition of AMART, the event dedicated to antiques organized by theAssociazione Antiquari Milanesi and Promo.Ter, with the usual preview reserved for the press and opening on Nov. 4. The event will transform the Lombard capital into a meeting point for works spanning centuries of art history, from the Middle Ages to the contemporary, ranging from Old Masters paintings to unique design pieces. The show will feature 61 Italian and international exhibitors, including thirteen new entries, each ready to present a curated selection that combines experience and quality of proposals.
Among the highlights of the seventh edition, Altomani & Sons of Milan and Pesaro will offer the painted and gilded stucco bas-relief Madonna and Child, datable between 1435 and 1440, attributed to Andrea di Lazzaro Cavalcanti, known as il Buggiano, adopted son of Filippo Brunelleschi. The work, set in a 126 cm high tabernacle frame, bears the inscription ’AVE MARIA GRATIA PLENA DOMINUS ISTE(?)...’ and is preserved in excellent condition. Carlo Orsi, also from Milan, will exhibit two rediscoveries by Zanetto Bugatto, temperas on panel depicting St. Paul and St. Peter on a punched gold ground, belonging to a second polyptych by the artist, in addition to the well-known Madonna Cagnola.Lorenza Salamon, Milan, will present the original burin The Virgin on the grassy verge, dated 1503, monogrammed by Albrecht Dürer.
Apolloni, Rome, will open the exhibition Francesco Hayez between Painting, History and Literature. Paintings and Drawings, held in collaboration with the London-based Laocoon Gallery. Among the works on display, the oil on canvas Testa tagliata del Conte di Carmagnola, 1834, depicts a decapitated head probably from a guillotine, on a wooden block with the coat of arms of the Venetian Republic and white drape with the inscription ’Generale Carmagnola Tragedia,’ a reference to Manzoni’s work. Tornabuoni Arte, Florence, will exhibit Mauro Conconi’s Il naufragio di Camoens, painted between the Italian Wars of Independence, formerly part of the collection of Milanese publisher Count Cesare Giulini della Porta.
Paolo Antonacci, Rome, will offer Studies of Cats by Ferdinand-Victor-Eugène Delacroix, pen and brown ink on paper, with atelier stamp and inscription ’jambe de derrière droite’. The 2025 edition of AMART will also feature international exhibitors, including Lampronti Gallery in Monaco with The Grand Canal, view from Ca’ Foscari and Bernardo Bellotto’s Palazzo Moro Lin. M. F. Toninelli Art Moderne, Monte Carlo, will present two works by André Masson, includingLaVictime, 1942, gouache and sand on wood. Callisto Fine Art, London, will exhibit a 19th-century white marble banner stand, a copy of Giambologna ’s bronze Diavolino for Palazzo Vecchietti in Florence.
Furniture and arts and crafts will play a significant role in the event. Galleria Luciano Colantonio, Brescia, will offer a pair of wall lamps by Nino Franchina, embossed silver tubulars from the 1970s, signed and well-preserved. inOpera Italian Arts, Milan, will exhibit two game tables by Giuseppe Maggiolini, inlaid with precious woods and reversible tops, dating from about 1805. Mirco Cattai, Milan, will present a 16th-century Ushak Lotto rug, a rare Anatolian example characterized by blue central arabesques in pairs. Piva & C., Milan, will exhibit a Venetian telescope decorated in polychrome lacquer and arte povera on a red background, 62 cm long, with a removable inner section decorated with floral motifs and brass applications.
Subert, Milan, will offer a polychrome porcelain and gold chocolatier attributable to the Saxon manufacture of Meissen, dating from about 1740, decorated with floral motifs inspired by Japanese Imari and Kakiemon porcelain. Raffaello Pernici, Rosignano Marittimo, will exhibit Le due tigri, 1929, by Sandro Vacchetti, previously shown at Palazzo Reale in Milan. Società di Belle Arti, Viareggio/Milan, will present Dalie, 1936, by Bruno Croatto, oil on panel signed and dated, an example of the Trieste artist’s last period between hyperrealism and a push toward abstraction. M45, Milan, will exhibit Shoes, 1980, by Andy Warhol, a single silkscreen print on cold-pressed Arches Aquarelle paper.
The seventh edition welcomes thirteen new exhibitors, including Galleria Giampaolo Abbondio, Milan, with Inside 5 byMarcoPaganini, part of a series of wood and cardboard containers with dusting, tools and extraneous objects aimed at creating narratives among disparate elements. BKV Fine Art, Milan, will offer a reunion of two monumental canvases by Giovan Battista Discepoli, oil on canvas of the Holy Family (ca. 1647), notified by the Italian state as a historical asset, flanked by a photographic reproduction of St. Anne from the Basilica of San Nazaro in Brolo.
Notable returns include Gian Enzo Sperone, Gilistra Japanese Art, Attilio Cecchetto Antiquario and Reve Art, which will present Urlatrice Rossa, 1945, a bronze by Angelo Camillo Maine from the artist’s heirs. AMART 2025 thus confirms its ability to combine historical heritage and exhibition innovation, welcoming works ranging from painting, design, and artistic craftsmanship in an exhibition itinerary that offers a comprehensive view of decorative and figurative arts, both national and international.
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| AMART 2025: Milan hosts antiques, design and works by great masters |
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