Who is Gigetta Dalli Regoli

Gigetta Dalli Regoli
Gigetta Dalli Regoli è storica dell'arte specializzata in arte del Rinascimento, con particolare riferimento alla Toscana del Quattrocento. Si è formata all’Università di Pisa, laureandosi negli anni Sessanta. A lungo docente di Storia dell’arte medievale e moderna all’Università di Pisa e all’Università del Salento, ha al suo attivo numerose pubblicazioni (in particolare su Leonardo da Vinci, su Lorenzo di Credi, artisti di cui è tra gli esperti più riconosciuti, e poi sulla scultura medievale, sul disegno rinascimentale, oltre a diversi saggi su temi iconografici). Tra le sue pubblicazioni figurano la monografia dedicata a Lorenzo di Credi (1965), lo studio sui Disegni dal modello, in collaborazione con Carlo Ludovico Ragghianti (1975), il saggio sulla miniatura nella storia dell'arte italiana Einaudi (1980), e ancora Silvius Magister (1991), Il gesto e la mano (2000), Leda e il cigno: un mito per Leonardo (2001), la curatela, assieme a Roberto Paolo Ciardi, del volume Il Quattrocento. Storia delle arti in Toscana (2002), e i più recenti volumi L'attribuzione dell'opera d'arte. Itinerari di ricerca fra dubbi e certezze (2003), Pisa medievale e le arti (2013), Il gesto e la mano. Convenzione e invenzione nel linguaggio figurativo fra Medioevo e Rinascimento (2015) e Arti Belle/Belle Arti: la intitolazione delle Accademie e una riflessione sulla bellezza nell'arte (2025).

All the articles by Gigetta Dalli Regoli on Finestre sull'Arte


An Update on Masaccio: The Adoration of the Magi in the Carmine Polyptych in Pisa

An Update on Masaccio: The Adoration of the Magi in the Carmine Polyptych in Pisa

Archival research, when conducted with expertise and diligence, always yields positive results: this is evident from the research that Giuseppe Petralia conducted in various archives on topics related to the medieval history of Tuscany and Pisa, with...
Read more...
From the Divine Painter to the Best Master of Italy. About the Perugino exhibition catalog.

From the Divine Painter to the Best Master of Italy. About the Perugino exhibition catalog.

Within the ambit of the Region of Umbria, and over the past three decades, institutions have promoted a series of restoration campaigns, recoveries and initiatives of various approaches, involving different forces directed toward the study and preser...
Read more...
An excursus on notebooks in art history. Emanuele Pellegrini's book

An excursus on notebooks in art history. Emanuele Pellegrini's book

An essay by Emanuele Pellegrini, of great density and wide range for how medium-sized the volume is, places at the center of a series of investigations the multifaceted reality of the Notebook, a privileged place where live observations, idea...
Read more...
Vincian Codicil No. 2. Leonardo's Adoration of the Magi: an unfinished work?

Vincian Codicil No. 2. Leonardo's Adoration of the Magi: an unfinished work?

Leonardo'sThe Adoration of the Magi, preserved in the Uffizi Gallery, is routinely qualified as an unfinished work, and the interruption of the work is tacitly linked to the move to Milan, although doubts remain as to the conjuncture that...
Read more...
Vincian Codicil. To Leonardo what is Leonardo's...

Vincian Codicil. To Leonardo what is Leonardo's...

As the Vincian year (2019) draws to a close, although further insights appear to be in print, it is appropriate to point out what seems to date to be the most comprehensive summary: Edoardo Villata, Leonard publications of 2019: brief art-h...
Read more...
"Museum on Fascism? There is a lack of sufficient distance and widespread misinformation

"Museum on Fascism? There is a lack of sufficient distance and widespread misinformation

Federico Giannini's article can be read by clicking here. Dear Federico, I have the highest esteem for your work and for the quality of the magazine that you direct with so much commitment, and it is therefore that I add a brief comment to the iss...
Read more...
An addendum for Bernardino Detti, painter from Pistoia (1498-1572)

An addendum for Bernardino Detti, painter from Pistoia (1498-1572)

I have always looked with interest at the large panel in the Museo Civico in Pistoia that bears witness to the activity of a singular and fascinating artist who was Bernardino Detti: the Madonna of Humility with Saints Bartholomew, Jacopo and Giova...
Read more...
Botticelli in Verrocchio's workshop, an obscured presence

Botticelli in Verrocchio's workshop, an obscured presence

At the inauguration of the important exhibition dedicated to Verrocchio, Leonardo's master, the editorial approach adopted for the catalog was revealing1: in fact, the front cover shows a detail of a painting, while only in the back cover does the ...
Read more...

12Pagina 1 di 2