Originaria di Lecce, classe 1995, ha conseguito la laurea presso l'Accademia di Belle Arti di Carrara nel 2021. Le sue passioni sono l'arte antica e l'archeologia. Dal 2024 lavora in Finestre sull'Arte.
With the presence of Maria Magdalena Campos Pons at the Venice Biennale 2026, the Giampaolo Abbondio Gallery enters the exhibition itinerary through the work of an artist with whom it has had an ongoing relationship for over twenty-five years. Founde...
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The protection of the oceans is one of the most pressing environmental issues today, in a picture marked by biodiversity loss, pollution and intensive exploitation of marine resources. The health of ocean ecosystems directly affects climate balances ...
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In Pompeii, a new analysis on finds from the Orto dei Fuggiaschi makes it possible to propose a different interpretation of one of the victims of the eruption of Vesuvius in 79 A.D., pointing to the deceased's possible membership in the category of p...
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Kurdish-Turkish artist Ahmet Güneştekin (Batman, 1966) returns to Italy with a new solo exhibition following his recent show at the National Gallery of Modern and Contemporary Art in Rome. Entitled Sessizlik / Silence and curated by Sergio Risal...
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In Alexandria, Egypt, a preventive archaeology mission of the Supreme Council of Antiquities, active in the Moharam Bek area in the city's central district, has unearthed a set of architectural structures and artifacts that contribute to the reconstr...
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There is a precise moment in the history of twentieth-century visual culture when photographic documentation ceases to be mere supportive reporting and turns into pure interpretation, itself becoming a critical act of the highest profile. This bounda...
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ME-Scripta, a new research center of the Egyptian Museum dedicated to the study, restoration and digitization of Ancient Egyptian written sources, is born in Turin. The initiative is part of a long-term scientific program that aims to integrate philo...
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Seven pages of a report arrived on the table of Palazzo Chigi at the center of the case involving the Russian pavilion at the Venice Biennale and the management of compliance with the European sanctions regime. The document, as reported by L'Espresso...
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