A bezoar on display , a starry ceiling reminiscent of the Great Hall at Hogwarts, a hippogriff born of Ariosto’s imagination five centuries before Fierobecco: at the Ducal Palace in Mantua, Harry Potter fans will discover that the…
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What can a mark reveal when it is erased? And how can a fragile imprint call into question the solidity of a wall, a building, or a system of rules? The artistic practice of French artist Nicolas Muller (Strasbourg, 1983) transforms…
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Friar Francesco Piloni, a Friar Minor, is the guardian of the Sanctuary of San Damiano in Assisi and president of the St. Francis Foundation. His experience at Franciscan sites brings him face-to-face daily with an increasingly pressing…
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On the night of October 4, 1226, Francis of Assisi, surrounded by his brothers, breathed his last; having been ill for some time and extremely debilitated, he was in the infirmary adjacent to the Porziuncola, one of the places that…
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For the artist Bruno Fantelli (Cles, 1996), painting does not seem to have come about as a sudden choice, but rather as the continuation of an inclination cultivated since childhood: drawing, building, and modifying whatever was in front…
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Living on the threshold, without having to choose which side to take. This is perhaps the image that best captures the way Gabriele Salvaterra views curating, art, and even his own role within the art system. As a curator, critic, and…
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Can the Venice Biennale also be interpreted as a relationship between artistic experimentation, the market, and systems of cultural support? That is what curator Adina Drinceanu attempts to do in this interview with Noemi Capoccia, in…
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For Marta Roberti, drawing is not merely a tool for representing the world, but a way to navigate it and transform herself. Her works arise from a deep connection with images from art history, archaic forms, the animal world, and memory…
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What does it mean to organize an exhibition today? And above all, what happens when the exhibition itself becomes the subject of the exhibition? These are the questions that serve as the starting point for *Expositio Mundi*. The Exhibition…
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Fifteen years later, Luca Rossi returns to interview Maurizio Cattelan. Back then, there was a retrospective at the Guggenheim; today, there is NIGHT at the Neue Nationalgalerie in Berlin. In the meantime, the art world has changed, the…
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Interviews France Modern Art Twentieth Century
MIRA Latino Art Fair, a project launched in 2024 with the aim of giving greater visibility to Latin American contemporary art, is today one of the most interesting art fairs dedicated to artists from emerging countries. It was founded and…
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Pablo Picasso’s*Guernica* is one of the most recognizable symbols of 20th-century art. But what truly makes a work of art a classic? And how long can its fame endure throughout history? In his new book, *Pablo Picasso’s…
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Interviews Ancient art Caravaggio Six hundred
Agata Marchetti is the director of the German National Tourist Board Italia, the German National Tourism Board, where she has been responsible for promoting Germany in the Italian market since 2024. With over nineteen years of experience…
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Interviews Ancient art Art to women Contemporary art
Valentina Saluzzi is Vice Chair of the Board of Directors and Director of Events and Brand Experiences at Balich Wonder Studio, an international group specializing in the design and production of major events, ceremonies, and brand…
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On the occasion of the tenth Lerici Music Festival—an initiative that, for the third year, presents an unprecedented dialogue between contemporary art and music, curated by Carlo Orsini and organized in collaboration with Galleria…
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Interviews Art Criticism Contemporary art
Lena Keller (Heidelberg, 1980) belongs to a generation of artists who came of age during the transition from analog to digital, but her painting defies any technological simplification. In her work, landscape is not presented as an…
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