Who is Federica Schneck

Federica Schneck
Federica Schneck, classe 1996, è curatrice indipendente e social media manager. Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico. Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.

All the articles by Federica Schneck on Finestre sull'Arte


Is contemporary art today an emancipatory gesture or is it an aesthetic commodity to be consumed?

Is contemporary art today an emancipatory gesture or is it an aesthetic commodity to be consumed?

Asart pushes the extreme boundaries of society, a subtle and unsettling tension comes into play: are we witnessing an act of emancipation, a gesture that redefines dominant narratives, or are we observing the mutation of discomfort into an aesthetic ...
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Giuseppe Veneziano, Beyond provocation. When art is profound without being obscure

Giuseppe Veneziano, Beyond provocation. When art is profound without being obscure

There is a widespread idea, almost a stereotype, about Giuseppe Veneziano. He is often labeled as a provocateur, an artist who uses simple, direct, almost populist images. But all you have to do is sit with him, talk to him, listen to his take on art...
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Art and climate change: contribution or contradiction?

Art and climate change: contribution or contradiction?

In December 2018, the South Bank esplanade in London was transformed into a scene of stark beauty. Blocks of ice, ripped from the heart of the Arctic, materialized among the buildings and lights of the city thanks to the artistic intervention of Olaf...
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The art of non-places: how to give meaning to a space that doesn't have it

The art of non-places: how to give meaning to a space that doesn't have it

We live in an age where places, those defined as such, have become increasingly liquid, undefined. Geography, as we perceive it, has changed. Almost without realizing it, we have found ourselves immersed in spaces that are no longer tied to the histo...
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The influence of social: how much does an artist count outside Instagram?

The influence of social: how much does an artist count outside Instagram?

In a world increasingly dominated by image culture, Instagram has turned into one of the most powerful tools for contemporary artists. It is not just a platform for sharing one's work, but a true digital exhibition space, capable of connecting the ar...
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The art of Laure Prouvost, a weaver of confusion and poetry

The art of Laure Prouvost, a weaver of confusion and poetry

Imagine you are walking through a museum, the floor creaking slightly under your feet. The soft but uneasy light reflects a kaleidoscope of colors off the walls, while a voice whispers something. You are not sure if it is inviting you or warning you....
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The decline of NFTs. Art or financial speculation?

The decline of NFTs. Art or financial speculation?

In recent years, the Non-Fungible Token ( NFT ) phenomenon has rocked the art world like a bolt from the blue, bringing with it promises of revolution, democratization, and new creative frontiers. Today, however, we find ourselves reflecting on the r...
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Those artists who work with obsolete technologies, from old video games to the cathode ray tube

Those artists who work with obsolete technologies, from old video games to the cathode ray tube

Art has always had an ambivalent relationship with technology. On the one hand, it has embraced it as a tool to expand its language; on the other, it has questioned it, problematizing its effects on our living and thinking. In this dialectic, some co...
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