Federica Schneck, classe 1996, è curatrice indipendente e social media manager.
Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico.
Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.
All the articles by Federica Schneck on Finestre sull'Arte
There is a moment, when the late afternoon light hits a pastry shop window, when everything seems suspended. The shadows lengthen, the colors saturate, and each frosting reflects a golden glimmer. It is in this precise instant that Wayne Thiebaud (Me...
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Imagine entering acontemporary art gallery. White walls house works by artists from all corners of the world: paintings evoking postcolonial struggles, installations telling stories of gender and sexuality, sculptures celebrating indigenous tradition...
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What happens when the memory of a place crumbles between the fingers, like ore dust extracted from the earth? Otobong Nkanga digs into the sediments of history, the fractures of the landscape, the invisible scars of matter. Her art is not content to ...
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Art Basel, Frieze, ARCO. The big names of contemporary art fairs evoke an imagination of luxury, creativity and global connections. For many, they represent the beating heart of theart market: places where collectors, curators and enthusiasts meet to...
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Asart pushes the extreme boundaries of society, a subtle and unsettling tension comes into play: are we witnessing an act of emancipation, a gesture that redefines dominant narratives, or are we observing the mutation of discomfort into an aesthetic ...
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There is a widespread idea, almost a stereotype, about Giuseppe Veneziano. He is often labeled as a provocateur, an artist who uses simple, direct, almost populist images. But all you have to do is sit with him, talk to him, listen to his take on art...
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In December 2018, the South Bank esplanade in London was transformed into a scene of stark beauty. Blocks of ice, ripped from the heart of the Arctic, materialized among the buildings and lights of the city thanks to the artistic intervention of Olaf...
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We live in an age where places, those defined as such, have become increasingly liquid, undefined. Geography, as we perceive it, has changed. Almost without realizing it, we have found ourselves immersed in spaces that are no longer tied to the histo...
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