Federica Schneck

Federica Schneck
Federica Schneck, classe 1996, è curatrice indipendente e social media manager. Dopo aver conseguito la laurea magistrale in storia dell’arte contemporanea presso l’Università di Pisa, ha inoltre conseguito numerosi corsi certificati concentrati sul mercato dell’arte, il marketing e le innovazioni digitali in campo culturale ed artistico. Lavora come curatrice, spaziando dalle gallerie e le collezioni private fino ad arrivare alle fiere d’arte, e la sua carriera si concentra sulla scoperta e la promozione di straordinari artisti emergenti e sulla creazione di esperienze artistiche significative per il pubblico, attraverso la narrazione di storie uniche.

Heavenly engineering against the horrors of war: Ukrainian Aljoscha's "Brain Paradise"

Heavenly engineering against the horrors of war: Ukrainian Aljoscha's "Brain Paradise"

by Federica Schneck, written on 19/04/2024
Categories: Works and artists
Tag: Arte contemporanea - Ucraina
Aljoscha (1974), born in Ukraine as Oleksii Potupin, is a visual artist known for his large-scale conceptual installations that explore concepts related to biology, life theory, and bioism, which represents a utopian ideal for the creation of new for...
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Skin as landscape. Joan Semmel's Bodily Expression.

Skin as landscape. Joan Semmel's Bodily Expression.

by Federica Schneck, written on 16/03/2024
Categories: Works and artists
Tag: Arte contemporanea
In the vast landscape of contemporary art, figures emerge who challenge convention and invite us to reflect on fundamental concepts such as identity, corporeality and perception. Yet few names rise with the same boldness and visual power as Joan Semm...
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Will artificial intelligence replace art? The case of the two new works at MoMA New York.

Will artificial intelligence replace art? The case of the two new works at MoMA New York.

by Federica Schneck, written on 15/02/2024
Categories: Works and artists
Tag: Arte contemporanea
Once again we have witnessed the integration of artificial intelligence into the artistic landscape, with surprising results. On this occasion, two renowned contemporary digital artists, American Ian Cheng (Los Angeles, 1984) and Turkish Refik Anadol...
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Exposing the absent and the uncanny. What Anish Kapoor's exhibition at Palazzo Strozzi looks like.

Exposing the absent and the uncanny. What Anish Kapoor's exhibition at Palazzo Strozzi looks like.

by Federica Schneck, written on 03/01/2024
Categories: Exhibition reviews
What role, today, does the audience play in the art world? Hand in hand with the development of hyper-communication and simplification of languages, an increasing number of artists are confronting a redefinition of the roles of exhibition visitors, w...
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Photos on the horror of Iran and the courage of its women. Newsha Tavakolian at Mudec

Photos on the horror of Iran and the courage of its women. Newsha Tavakolian at Mudec

by Federica Schneck, written on 23/12/2023
Categories: Exhibition reviews
Tag: Fotografia
Censorship, opposition, repression. But also courage, reflection and revolution. These are the themes that animate And They Laughed at Me, the photographic exhibition, which opened last Dec. 13 at Mudec in Milan, featuring a retrospective of the work...
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After the burning of the Venus of rags: about the role of public art

After the burning of the Venus of rags: about the role of public art

by Federica Schneck, written on 13/12/2023
Categories: Opinions
Tag: Arte contemporanea
"Creating sculpture means existing in a place": so said Volterra artist Mauro Staccioli. But of the existence and enchantment of Michelangelo Pistoletto's monumental Venus of rags , installed in Naples' Piazza Municipio last June, little remains toda...
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