The ease of management of content management platforms (those that serve, trivializing, to curate blogs, e-commerce, complex websites and so on), for several years now, has had the effect of giving considerable help to people who work in a serious way, but it has also resulted in the emergence of masnades of matriculated wafflers who, even without technical knowledge, have opened constellations of blogs and websites filled with content copied from others’ sites, without proper citations of sources. Our field, that of art history, is certainly not immune to this nefarious practice, which harms the whole environment as it takes away visibility, visitors and often even earnings from those who, instead, work honestly. It is true that the audience of serious websites is infinitely larger than that of websites that make their living from copy-paste, and in the vast majority of cases one should not worry if someone copies articles: in the long run, those who work in this way are destined to lose audience and credibility, because they are always discovered. However, there are cases of websites that have been repeatedly plundered, and when this happens, the annoyance caused is considerable: one must consider that even a single article is the result, often, of hours of work, and to see it published on unknown websites under the name of others is tantamount to feeling offended and violated.
There are many causes that lead content thieves to cannibalize others’ articles while taking credit and honors. Many do so simply because of a childish narcissism fueled by the praise of friends and family (often the only readers of the “copyists”) who believe they are reading an original piece. Others do it simply because they do not have the time to write an article of their own, or they have no ideas but are too proud to admit it, so they resort to copying. Still, there are those who make money from their blog and therefore, in order to get more readers more quickly, fill the blog with new articles copied from the most disparate sources. For all of these cases of hardened wafflers, citation of the source is a serious obstacle and is completely inadmissible: first, because it touches on advertising another website (and often the most serious wrong that can be done to copyists, is to read other sites or blogs). Second, because in many cases it is considered an injury to self-love. Third, because it is better to act in the shadows: the authors of the original articles may frown upon the practice of duplicating content, even if with links to the source, so better to copy while keeping quiet. And so on. And the proof that citing the source is such an unpalatable practice for plagiarists lies in the removal of the incriminated articles once they are discovered: yes, because when the waffler is caught red-handed, in the vast majority of cases he will not want to suffer the shame of inserting the cross-reference to the original, and will therefore prefer to make the copied content disappear from his website (or, in certain cases, radically modify the text: perhaps copying it again, but from another source). Experience has taught us this, since not a few people draw from the site you are reading.

But, in essence, how is it possible to perceive that a piece of content we are reading has been wildly copied from another site? We’ve set up a few little tricks, which don’t pretend to be conclusive, because there are plenty of copyists out there who have gotten smart, but paying attention to these details can lead, in the vast majority of cases, to discover that the content we’re reading is nothing more than plagiarism. Of course: it takes a tiny bit of experience, and it is easier to discover copied content if you have read more than one article from the same website or blog, but that’s not to say that you can’t manage to unearth the copycat even from a single reading. Well, let’s see then the tricks we suggest:
Well: given some of the tricks for finding out who is copying, we can wonder what the content thief risks when he or she is discovered. We can assure that, in almost all cases, common sense suggests an exchange of private messages, which always ends with the deletion or insertion of the citation. In the case of particularly stubborn or recidivist duplicators,Agcom (Authority for Guarantees in Communications) can intervene: on March 31, the online copyright regulation came into force, an instrument that protects content producers by avoiding long and unnecessary judicial rigmarole. According to this regulation, anyone who sees his or her content infringed can file an application with Agcom, which will make sure to contact the provider hosting the script’s website and, if traceable, the script itself. In this case, one can be almost certain that the provider will autonomously remove the content (often even the entire site or blog) of the duplicator without batting an eyelid: the alternative is to lengthen the proceedings with Agcom and risk the whole thing ending up in front of thejudicial authority. And of course the provider, who does not want any trouble, will not take the risk. Finally, in serious and repeated cases, it is possible for the aggrieved party to go directly to court.
And now we come to the last, and perhaps most important, aspect of this article: how to defend yourself against plagiarists? Unfortunately, there will always exist someone who will copy others’ articles, so there are no definitive solutions. Even in this case, however, we can deploy some tricks to raise defenses. The reader can make a selection of blogs and newspapers, preferring sites, magazines and newspapers whose quality is a sure thing. There are many ways to distinguish a quality publication: care of the content, original slant, cultural background of the authors, any awards received, interesting discussions at the bottom of the articles (whether we are reading a blog or a website), a sign that the reading public is also made up of people who have already positively evaluated the quality of the content. On the other hand, those who write on the web and want to ward off the possibility of someone stealing their texts can create disclaimers that warn potential plagiarists of the risks they face by copying content, equip themselves with technical expedients (e.g., little programs in JavaScript that disable the copy-paste function), or even frequently include cross-references to the name of the blog or website. We will never have a 100% guarantee that we will never see copied content circulating again: but at least we will be able to reduce the risk!
The author of this article: Federico Giannini e Ilaria Baratta
Gli articoli firmati Finestre sull'Arte sono scritti a quattro mani da Federico Giannini e Ilaria Baratta. Insieme abbiamo fondato Finestre sull'Arte nel 2009. Clicca qui per scoprire chi siamoWarning: the translation into English of the original Italian article was created using automatic tools. We undertake to review all articles, but we do not guarantee the total absence of inaccuracies in the translation due to the program. You can find the original by clicking on the ITA button. If you find any mistake,please contact us.