Archival research, when conducted with expertise and diligence, always yields positive results: this is evident from the research that Giuseppe Petralia conducted in various archives on topics related to the medieval history of Tuscany and Pisa, with...
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That there is still so much to discover about the Renaissance —and that what we know is only a tiny fraction of the story—is clearly evident in an enigmatic tondo that the Galleria Brun is presenting this year at the 34th edition of the Florence Inte...
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For nearly two centuries, all trace of Gaudenzio Ferrari’s (Valduggia, 1475 – Milan, 1546) *Saint Anthony of Padua* had been lost. The panel was part of an altarpiece intended for the high altar of the Church of Santa Chiara in Milan, and...
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The title of the major Allegri exhibition in Dresden is surprising; it certainly stands apart from any other current designation for an art event, particularly one focusing on historical art. There is no doubt that, over the generations, certain inti...
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For five hundred years, the paintings of Antonio Allegri—who went down in history as Correggio, after his hometown—have continued to captivate viewers with the sensuality of their figures, the luminosity of their scenes, the brilliance of their color...
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The project for the façade of the Basilica of San Lorenzo in Florence was never completed, but the grand design conceived by Michelangelo Buonarroti ( Caprese, 1475 – Rome, 1564) for the Medici church, a particularly significant artifact remain...
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If one were to go by the headlines, it would seem there are no major doubts regarding the authenticity of the *Portrait of a Young Man*, which was presented with some grand ceremony in the halls of the Ducal Palace in Urbino—which are under the juris...
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The Spanish Ministry of Culture has presented the Museum of Fine Arts in La Coruña—a state-owned institution whose administration has been transferred to the Galician regional government—with a beautiful 16th-century Flemish panel painting dep...
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