A beam of intensely warm light, golden-yellow like the sun filtering through the fog of the Venetian lagoon, envelops the solitary figure of a pilgrim who has stopped atop a rocky outcrop: he has long, flowing hair that falls over his shoulders, his ...
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When, in 1832, the Polish prince Stanisław Poniatowski, grandson of the last king of Poland, published the second volume of the catalog raisonné of his vast collection of engraved stones in Florence, he included in the introductory pages a sta...
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From September 25, 2026, to January 10, 2027, the Napoleonic Museum in Rome will host “Italian Baroque in Dresden.” Architectural Drawings from the Landesamt für Denkmalpflege Sachsen is an exhibition dedicated to a collection of drawings and ...
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In Possagno (Treviso), the restorationof the *Amorino*—also known as *Prince Henryk Lubomirski*—was unveiled. This is one of the most significant and fragile plaster models preserved in the collection of the Gypsotheca Antonio Canova Museum. The work...
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A sky shifting from pink to gray, the moment when the light of day gives way to twilight. In this twilight light, against a background devoid of architecture, we see a young boy smiling as he tips, with a sudden, decisive gesture, a woven basket onto...
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Neapolitan artists have crossed the Tyrrhenian Sea many times throughout history—with their canvases and panels, of course, but just as often, and perhaps even more so, with paper: sheets of drawings in pen, ink, and watercolor that passed from hand ...
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From July 15, 2026, to January 6, 2027, Palazzo Madama in Turin will host an exhibition dedicated to the history and culture of gardens in the 18th century. Housed in the Guardaroba and the Piccolo Gabinetto Cinese, the exhibition *Giardini. The Art ...
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To see the palace, you have to turn your back on the Duomo; if you want to see the Duomo, you have to forget about the palace. Two visions of stone and marble. The palace and the cathedral scrutinize and measure each other, standing face to face—for ...
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