Works and artists


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Circe’s Cup and the Fate of Odysseus: Two Masterpieces, Two Interpretations of the Myth

Circe’s Cup and the Fate of Odysseus: Two Masterpieces, Two Interpretations of the Myth

A cup containing a magic potion, Ulysses and Circe: one of the most enigmatic episodesof the Odyssey takes place right in the sorceress’s home, where seduction, metamorphosis, and deception intertwine, captivating and inspiring the paintings of many...
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Revisiting Correggio: The Chamber of St. Paul

Revisiting Correggio: The Chamber of St. Paul

To speak of the Camera di San Paolo, frescoed by Correggio in Parma in 1518, would first and foremost lead to the vast body of literature that this famous painted room has inspired, featuring the names of celebrated authors and themes spanning a wide...
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The Trojan Horse in 7 Works of Art History

The Trojan Horse in 7 Works of Art History

It is one of the most famous deceptions in history, and for over two thousand years it has continued to intrigue artists, scholars, and—why not?—even audiences: the Trojan Horse, a symbol of cunning and betrayal, has become one of the most powerful i...
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Jacopo Ligozzi’s Absurd, Whimsical Glasses: Fantasy at the Medici Table

Jacopo Ligozzi’s Absurd, Whimsical Glasses: Fantasy at the Medici Table

During the final decade of his long career in Florence, Jacopo Ligozzi—who was one of the most original painters active between the late sixteenth and early seventeenth centuries—devoted himself to an undertaking that at first glance seems far remove...
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The Deleted Words of Jean-Michel Basquiat

The Deleted Words of Jean-Michel Basquiat

When standing before a painting by Jean-Michel Basquiat, something specific—almost automatic—often happens: the gaze tries to make sense of it. It doesn’t just look; it behaves as it would when faced with a page. It draws closer, searching for ...
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Giovanni Bartolena and Still Lifes: The Essence of Color, the Heart of Painting

Giovanni Bartolena and Still Lifes: The Essence of Color, the Heart of Painting

“Although largely overlooked by critics for a time, Giovanni Bartolena has recently been ‘rediscovered’ by several scholars who have rightly highlighted his solid artistic talents.” So wrote journalist Mario Lepore in 1966, re...
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Adele Bloch-Bauer, Gustav Klimt's "Woman in Gold"

Adele Bloch-Bauer, Gustav Klimt's "Woman in Gold"

A profusion of gold floods Gustav Klimt’s *Portrait of Adele Bloch-Bauer I* , sweeping through the entire composition like a river of precious metal and immersing the viewer in a dazzling vision. Gold is the undisputed protagonist of the entire...
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Lee Ufan: When Art Becomes Silence and Suspended Time

Lee Ufan: When Art Becomes Silence and Suspended Time

There is a silence you don’t truly perceive until you stand before a work by Lee Ufan. It is not stillness; it is a dense suspension, made of matter, distance, and breath. A steel plate captures the light and reflects it back coldly; an irregul...
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The Incredible Botanical Wax Models of the Specola in Florence: The Fake Fruits That Amazed the World

The Incredible Botanical Wax Models of the Specola in Florence: The Fake Fruits That Amazed the World

“It is unforgivable—except for those who are ignorant of every aspect of the arts of drawing—to claim that an ignorant person […] can, in a single month, become a wax modeler capable of imitating all of nature’s creations. One&rsqu...
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Caravaggio in the Feluca. An Overlooked but Exquisite "San Giovannino"

Caravaggio in the Feluca. An Overlooked but Exquisite "San Giovannino"

These days, it seems that the public’s interest in Caravaggio tends to overshadow that directed at every other genius of painting, driven by the constant stream of solo exhibitions popping up just about everywhere, the endless films and documen...
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Ferrara: The Rediscovered, Vibrant Nobility of Palazzo Prosperi Sacrati

Ferrara: The Rediscovered, Vibrant Nobility of Palazzo Prosperi Sacrati

Ferrara is a magnificent and enchanting city: it never fails to offer new thrills to visitors who tirelessly plan their returns to the historic realm of art’s embrace, where they are enveloped by the continuous, almost miraculous resurgence of the tr...
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Ottone Rosai and the Wounded Social Fabric of the Tavern

Ottone Rosai and the Wounded Social Fabric of the Tavern

If there is one place where, at the dawn of the 20th century, popular social life revealed all its ambiguity, it is the tavern. Trattoria, tavern, wine bar, and inn: different names for spaces that we today tend to associate solely with conviviality,...
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Michelangelo's Grocery List: The More Human Side of the Renaissance Genius

Michelangelo's Grocery List: The More Human Side of the Renaissance Genius

When one thinks of Michelangelo Buonarroti ( Capri, 1475 – Rome, 1564), one’s imagination inevitably turns to the great masterpieces that have shaped the history of Western art. The Vatican Pietà housed in St. Peter’s Basilic...
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Guercino at Casa Pannini: Rural Views of 17th-Century Emilia

Guercino at Casa Pannini: Rural Views of 17th-Century Emilia

The landscapes of his homeland would always remain etched in Guercino’s mind: the woods along the banks of the Rhine, the countryside around his hometown of Cento, and the dusty roads that cut through this stretch of the Po Valley halfway betwe...
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When Sodoma Looked to Mantegna: The Lamentation of the Young Man from Piedmont

When Sodoma Looked to Mantegna: The Lamentation of the Young Man from Piedmont

The career of Giovanni Antonio Bazzi, better known as Sodoma (Vercelli, 1477 – Siena, 1549) is undoubtedly one of the most fascinating and complex chapters of the High Renaissance, that transitional period between the 15th and 16th centuries, a...
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Organisms on the Threshold. Enrico Minguzzi's hybrids, an expanding painting.

Organisms on the Threshold. Enrico Minguzzi's hybrids, an expanding painting.

Enrico Minguzzi's cabinet of curiosities is a humble and shy little doodle, a shrine half a meter or so high, with a lock that struggles to close, a glass cabinet hidden in the white half-light of an antechamber of his house in Bagnacavallo. A house ...
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