Entitled Ottocento svelato. Tales of Collections and Museums in Nineteenth-Century Genoa, the articulated exhibition project that, in Genoa until March 29, 2026, aims to combine scientific research with museographic renewal, restoring centrality to ...
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We tend to associate Giovanni Segantini's painting with alpine landscapes, snow, and mountains. Angelo Conti, in Beata Riva, a fundamental treatise on aesthetics, said that Segantini was "the revealer of the mountain," because "no one like him ever h...
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As of Dec. 12, 2025, the Murano Glass Museum will open to the public a new permanent section entirely dedicated to 19th-century glassmaking. The inauguration, part of the larger program of protection, enhancement and reorganization of museum spaces c...
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The collection of MuSa, the Museum of the City of Salò, is enriched with a new and significant piece of its artistic and historical memory. The Salodi institution has in fact acquired the drawing The Battle of Salò, a work by French pai...
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The European visitor to New York's Metropolitan Museum of Art who enters the unfamiliar and seductive space that is the American Wing, under its stained-glass windows that seem to seal off the works on display as if inside a crystal temple, cannot fa...
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It's the talk of the web, it's raging on social media, and it's in theaters right now: Luc Besson's new film, Dracula - Love Lost, released Oct. 29 in Italian theaters, pays homage to Francis Ford Coppola's famous Dracula of Bram Stoker, a 1992 maste...
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Enzo Azzoni, a ninety-five-year-old Verbano photographer and runner who at his young age still continues to win Italian masters championships in track and field, is right. He is right when he says that we must not forget that today we can know and ap...
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From Dec. 4, 2025 to April 13, 2026, the Spezieria of the Certosa di San Martino in Naples will host the exhibition It's not just model, but finished painting, a project of the Vomero National Museums that introduces the public to the preliminary sta...
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