It is one of the most famous deceptions in history, and for over two thousand years it has continued to intrigue artists, scholars, and—why not?—even audiences: the Trojan Horse, a symbol of cunning and betrayal, has become one of the most powerful i...
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Antonio Fontanesi, one of the great figuresof 19th-century Italian and European art, returns to Japan 150 years after moving to Tokyo, where he went to teach at the local Technical School of Fine Arts. The Fondazione Torino Musei is dedicating an exh...
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To see the palace, you have to turn your back on the Duomo; if you want to see the Duomo, you have to forget about the palace. Two visions of stone and marble. The palace and the cathedral scrutinize and measure each other, standing face to face—for ...
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The old layout of the Fattori Museum in Livorno is gone, finished, no longer exists, and we will never see it again: dismantled before last year’s exhibition on Giovanni Fattori, it has now been completely renovated, transformed, and replaced. ...
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“Although largely overlooked by critics for a time, Giovanni Bartolena has recently been ‘rediscovered’ by several scholars who have rightly highlighted his solid artistic talents.” So wrote journalist Mario Lepore in 1966, re...
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A profusion of gold floods Gustav Klimt’s *Portrait of Adele Bloch-Bauer I* , sweeping through the entire composition like a river of precious metal and immersing the viewer in a dazzling vision. Gold is the undisputed protagonist of the entire...
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The sculpture of Auguste Rodin (Paris, 1840 – Meudon, 1917) takes center stage once again at the Pierre Gianadda Foundation in Martigny, Switzerland, with a new exhibition project dedicated to the relationship between art and poetry. From June ...
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An artist’s archive does not merely preserve letters, notes, newspaper clippings, receipts, envelopes, and scattered documents. When systematically examined, it can breathe new life into an entire historical figure, freeing it from the somewhat...
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