Every year in Italy, there are countless exhibitions—in almost incalculable numbers. In each exhibition, there is almost always something interesting: an adventure, a comparison of works and styles, or even the chance to see how different curators ap...
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When snow covers a landscape, it seems to take away rather than add: it erases details, softens colors, alters distances, and makes it harder to distinguish what belongs to observation from what arises from perception. It is above all in this uncerta...
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From Michelangelo’s *David* to the sculptures of Auguste Rodin and Antoine Bourdelle, and on to the interpretations of Giulio Aristide Sartorio, Leonardo Bistolfi, and Adolfo De Carolis: the Accademia Gallery in Florence is dedicating an exhibi...
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After Mark Rothko’s death, the critic Harold Rosenberg, a theorist of Action Painting, wrote an obituary for the painter in *The New Yorker*, in which he described him as a “reductive theologian of painting.” He intended that adject...
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In 1909, Francis Picabia (Paris, 1879–1953) was thirty years old and had already established a solid reputation within the art world. At that very moment, however, the artist decided to reevaluate the path he had taken up to that point: he sold...
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“Ispirazione Europa: Artistic Dialogues Between the 19th and 20th Centuries” is launching in Vicenza —a new exhibition project sponsored by the City of Vicenza that aims to explore, through art, the formation and evolution of the European spirit fro...
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On November 18, 2026, in New York,Sotheby’s will present the Blaquier-Arrieta Collection, a collection of works that traces some of the key milestones in the emergenceof modern art,from Impressionism in the 1870s to the innovations of Post-Impr...
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Monet, Van Gogh, Kandinsky, Mondrian: these are names that mark the milestones of an epochal turning point in the history of European art. In less than eighty years, between the 19th and 20th centuries, painting shifted from the direct observation of...
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