From January 23 to June 13, 2027 , Palazzo Martinengo in Brescia will host *Men in Art: From Titian to Boldini*, an exhibition dedicated to the depiction of the male figure in the history of Italian art from the dawn of the Renaissance to the thresho...
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“Inspiration Europe: Artistic Dialogues Between the 19th and 20th Centuries” is launching in Vicenza —a three-year exhibition project sponsored by the City of Vicenza and dedicated to Italy’s cultural and artistic ties with Germany, France, and...
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From October 17 to 27,the former Anglican Church in Alassio (Savona) will host an exhibition featuring Giuseppe Guidi (1881–1931). “The Sign and Alchemy” is a retrospective exhibition dedicated to Giuseppe Guidi (Castel Bolognese, 1881 – ...
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For Mimmo Rotella (Catanzaro, 1918 – Milan, 2006), tearing was never merely a gesture: removing a poster from a wall meant appropriating an existing image, taking it out of its context, and transforming it into something else. In the final deca...
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Every year in Italy, there are countless exhibitions—in almost incalculable numbers. In each exhibition, there is almost always something interesting: an adventure, a comparison of works and styles, or even the chance to see how different curators ap...
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When snow covers a landscape, it seems to take away rather than add: it erases details, softens colors, alters distances, and makes it harder to distinguish what belongs to observation from what arises from perception. It is above all in this uncerta...
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From Michelangelo’s *David* to the sculptures of Auguste Rodin and Antoine Bourdelle, and on to the interpretations of Giulio Aristide Sartorio, Leonardo Bistolfi, and Adolfo De Carolis: the Accademia Gallery in Florence is dedicating an exhibi...
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After Mark Rothko’s death, the critic Harold Rosenberg, a theorist of Action Painting, wrote an obituary for the painter in *The New Yorker*, in which he described him as a “reductive theologian of painting.” He intended that adject...
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