Among the countless commentators on Correggio, I like to choose the sincere definition given by Édouard Pommier in a personal autograph letter to me in August 2006, where he considers him "an immense artist." Such a judgment coming from the then...
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To speak of the Camera di San Paolo, frescoed by Correggio in Parma in 1518, would first and foremost lead to the vast body of literature that this famous painted room has inspired, featuring the names of celebrated authors and themes spanning a wide...
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Ferrara is a magnificent and enchanting city: it never fails to offer new thrills to visitors who tirelessly plan their returns to the historic realm of art’s embrace, where they are enveloped by the continuous, almost miraculous resurgence of the tr...
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A high and singular de Chirico Exhibition in Modena. A happy event that brings new light to a powerful beacon of art. We take this precious opportunity certainly not to bore the reader and dissert again on the innumerable volumes already expressed ar...
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With the Marc Chagall exhibition, the spirit of Ferrara, secularly tending to metamorphoses, to the placid or adventurous sur-natural, enters its specific world, delightful and imbued with culture, which cannot fail to gracefully recall our modernity...
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All of Correggio's frescoes and almost all of his mobile paintings are bearers of particular meanings, not often easy to decipher, that explicate values of a Christian scope and that flow from deep meditations which lead to his well-known composition...
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The magnificent Ferrara is being renewed yet again. In the cycle of an exciting energy of recovery and revitalization of its fascinating monuments, it now falls to the jewel of the Palazzina di Marfisa to take the honor of the chronicle and to realig...
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Those who wish to make a curious visit to the great Palace of Revere, there where the last Duke of Mantua of the Gonzaga line was born, might see the model with which the ancient game of crossing ferries on the Po, with people and goods, using the ve...
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