An extraordinary and rare drawing on paper by Perin del Vaga ( Piero di Giovanni Bonaccorsi; Florence, 1501 – Rome, 1547) has resurfaced on the market, brought to the Florence International Antiques Biennale by the Genoa-based gallery Goldfi...
Read more...
After a year of restoration work in the workshops of the Opificio delle Pietre Dure in Florence, the precious processional cross—created in 1501 by Gian Francesco dalle Croci for the Church of San Francesco—has returned to Brescia. The work, which ar...
Read more...
When, in 1832, the Polish prince Stanisław Poniatowski, grandson of the last king of Poland, published the second volume of the catalog raisonné of his vast collection of engraved stones in Florence, he included in the introductory pages a sta...
Read more...
Since August, the churches in Pozzuoli that were declared uninhabitable followingthe bradyseismic emergency have been undergoing safety measures to protect the works of art housed within them. This was announced by the Superintendence of Archaeology,...
Read more...
After six years of restoration work, three masterpieces of the Venetian Renaissance are once again on view to the public at the Gallerie dell’Accademia in Venice. The restoration of the first three paintings belonging to the monumental Cycle of...
Read more...
Two vases made in Florence during the second half of the sixteenth century bring to the forefront one of the most remarkable undertakings of the court of Francesco I de’ Medici: the attempt to produce in Europe the porcelain that had been impor...
Read more...
A Madonna covering her mouth with her hand, a Saint John bent over in grief, and three tiny angels collecting the blood flowing from Christ’s wounds in large cups. And, at the bottom, Saint Peter warming himself by a fire while a maidservant po...
Read more...
An unpublished early masterpiece by Luca Giordano ( Naples, 1634–1705), *TheCalling of Saints Peter and Andrew to the Apostolate*, a large canvas measuring 192 by 252 centimeters by the Neapolitan painter, will be on public view for the first ...
Read more...
The J. Paul Getty Museum has announced the acquisition of *Portrait of the Count-Duke of Olivares*, a 17th-century painting by Diego Velázquez that was recently identified as a work by the Spanish artist. The painting will be on public view at...
Read more...
That there is still so much to discover about the Renaissance —and that what we know is only a tiny fraction of the story—is clearly evident in an enigmatic tondo that the Galleria Brun is presenting this year at the 34th edition of the Florence Inte...
Read more...
A fundraising campaign through the Art Bonus program has kicked off in Faenza to fund the restoration of the painted walls of the Capanna rustica at Palazzo Milzetti. The initiative is sponsored by the National Museums of Bologna and the Regional Dir...
Read more...
Bolton, a historic Italian family-owned company and a leader in the production and distribution of consumer goods, supported the restoration of*Ercole o santo guerriero*(Herculesor theWarrior Saint), a sculpture that is part of the extraordinary heri...
Read more...
For nearly two centuries, all trace of Gaudenzio Ferrari’s (Valduggia, 1475 – Milan, 1546) *Saint Anthony of Padua* had been lost. The panel was part of an altarpiece intended for the high altar of the Church of Santa Chiara in Milan, and...
Read more...
More than 300 square meters of mosaics—371, to be exact—created in the early 17th century based on cartoons by Cristofano Roncalli, known as il Pomarancio (Pomarance, 1552 – Rome, 1626), are once again visible in St. Peter’s Basilica in Rome. ...
Read more...
To understand just how much a painting can change after restoration, one need only look atthe *Annunciation* by Neri di Bicci (Florence, 1418/1420–1492) in the Church of Sant’Agata in Florence. Beneath a thick layer of grime, yellowed var...
Read more...
The project for the façade of the Basilica of San Lorenzo in Florence was never completed, but the grand design conceived by Michelangelo Buonarroti ( Caprese, 1475 – Rome, 1564) for the Medici church, a particularly significant artifact remain...
Read more...