A new key to interpreting the work of Caravaggio (Michelangelo Merisi; Milan, 1571 - Porto Ercole, 1610): this is what will be offered in a year's time, from March 21 to July 18, 2027, by a major exhibition at the Detroit Institute of Arts, entitled ...
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An unpublished painting to be attributed to Artemisia Gentileschi? That's what the French auction house Rouillac is convinced of, which next June 7, at the Château de Villandry in the Loire Valley, will present a Saint Dorothy associated with the lof...
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Roughly the same reasoning that Giuliano Briganti made for Rubens applies to Van Dyck: given the vastness of his catalog, an exhibition entitled simply "Van Dyck" is unfeasible. It matters little whether one attaches to it, as was done for the exhibi...
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A result far beyond expectations marked the sale of the... Beheaded Magdalene by Artemisia Gentileschi (Rome, 1593 - Naples, post 1654). This fragmentary painting, which is missing its head(we had discussed it in a dedicated article), fetched an impr...
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A cloudburst of superlatives bathes the paper on which Nicolò Dorigati, a Trentino painter from a noble family, and therefore always well-connected, had tried to state the reasons for the altarpiece, his altarpiece, destined for the church of ...
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Forlì is the epicenter of a critical reflection on one of the densest seasons in European history with the exhibition entitled Baroque. The Grand Theater of Ideas, hosted at the Museo Civico San Domenico from February 21 to June 28, 2026, cura...
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A mutilated work, scarred by history but still capable of restoring the power of Baroque painting. Among the top lots at the upcoming Old Master auction organized by Dorotheum in Vienna is a fragment of a Magdalene attributed to Artemisia Gentileschi...
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He makes an appointment for me in the store of one of his colleagues, concealed in the courtyard of a nineteenth-century palace on Via Vittoria Colonna. He, Mario Bigetti, doyen of Rome's antiquarians, no longer has his own store, no longer even work...
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