Maurizio Faleni's new work shines in the great hall of his Livorno studio, under the light of an early June morning that enhances the aluminum surfaces of his Living Works, living works, the most recent chapter in a research that has always questione...
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"What is essential is invisible to the eyes," wrote Antoine de Saint-Exupéry. This is the secret that the fox reveals to the Little Prince, an invitation to go beyond what is seen on the surface, which may perhaps at first glance seem insignif...
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April 2025. Coachella. A legend appears on stage and time does not stand still. During one of the festival's most anticipated evenings, Benson Boone (a young artist who grew up in a system that favors accessibility over emphasis and continuous st...
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To see Enzo Tinarelli's mosaics it is necessary to see his painting; to see his painting it is necessary to get lost in the midst of his mosaics; to grasp the soul of his art, it may be useful to review a contribution that, it was the early 2000s, Va...
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There is a widespread idea, almost a stereotype, about Giuseppe Veneziano. He is often labeled as a provocateur, an artist who uses simple, direct, almost populist images. But all you have to do is sit with him, talk to him, listen to his take on art...
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For some time now, Gabriele Landi has taken to making cardboard or aluminum sculptures that always start from thin, light, simple sheets. They have inaugurated a new strand in his research, a refined, constant quest, always striving to explore the bo...
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Imagine you are walking through a museum, the floor creaking slightly under your feet. The soft but uneasy light reflects a kaleidoscope of colors off the walls, while a voice whispers something. You are not sure if it is inviting you or warning you....
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An image composed of 15 shots installed on backlit panels focuses, in a visual synecdoche, on a bullet-hit skull hole. The work is titled Bullet Hole and plays on perceptual destabilization. Up close it creates an interpretive short-circuit that is b...
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