Subscribe
Login
EN
IT
FR
DE
ES
CN
IT
|
EN
|
FR
|
DE
|
ES
|
CN
Home
News
News
Exhibitions
Interviews
News Focus
Publishing
Market
Cinema, theater and TV
Works and artists
Works and artists
Ancient art
'800 e '900
Contemporary art
AB Arte Base
Books
Reviews
All reviews
Opinions
Travel
All destinations
Northern Italy
Central Italy
Southern Italy
Islands
Foreign countries
Design
Job
About Us
About us
Newsletter
Contacts
Adv
News
All News
News
Exhibitions
Interviews
News Focus
Handicrafts
Publishing
Market
Cinema and TV
Works and artists
Ancient art
'800 e '900
Contemporary art
AB Arte Base
Books
Exhibition reviews
All reviews
Opinions
Travel
North Italy
Center Italy
South Italy
Islands of Italy
Foreign countries
Design
Job
Exhibition reviews
The incredible feat of Giovanni Pisano's pulpit: what the Pisa exhibition looks like
Federico Giannini
, 04/02/2026
Opinions
In what case can an exhibition space be defined as public? What happens at the Ex Slaughterhouse in Rome.
Antonio Pavolini
, 03/02/2026
Design
Phillips launches deluxe edition of Alexander Calder chess set
04/02/2026, 18:34:20
Museums
At the Peggy Guggenheim the hundred years of Cahiers d'Art between magazines and masterpieces
04/02/2026, 18:34:08
Travel
St. Galgano and the Sword in the Stone: history of the Hermitage of Montesiepi
04/02/2026, 18:33:41
News
Angel-Meloni deleted. Restorer admits: it was the premier's face
04/02/2026, 17:03:36
Events
Sansevero Chapel opens a tactile tour of the Veiled Christ for the blind and visually impaired
04/02/2026, 15:47:17
Exhibitions
In Treviso, Pascale Marthine Tayou's exhibition between identity, geopolitics and memory
04/02/2026, 15:47:09
Events
Pontremoli Baroque 2026: two days among villas, palaces and hidden treasures
04/02/2026, 12:27:31
Exhibitions
Chiara Camoni inaugurates "Figures in the Landscape," the new project of Accademia Carrara
04/02/2026, 12:27:15
News
Angelo-Meloni, no removal for now: no action yet
03/02/2026, 23:18:24
News Focus
Franceschini, artworks to pay taxes: some clarity
Federico Giannini
25/10/2014
Works and artists
The Etruscans and sex: how our ancestors made love
Federico Giannini, Ilaria Baratta
30/06/2018
Exhibition reviews
Tempo Barocco: an intelligent exhibition in one of the most important places of the seventeenth century in Rome
03/08/2021, 14:06:21
Exhibition reviews
The exhibition on Andrea del Verrocchio in Florence: hypotheses and problems
17/03/2019, 08:45:28
Exhibition reviews
Tracey Emin, The Body at the Center. Palazzo Strozzi's major exhibition
17/03/2025, 21:53:34
Exhibition reviews
Anton Maria Maragliano's spectacular exhibition in Genoa, including sacred theaters and marvelous processional chests
30/12/2018, 13:45:38
Exhibition reviews
If Anselm Kiefer covers Tintoretto in Venice's Doge's Palace.
16/10/2022, 16:12:27
Exhibition reviews
Carrara, Vôtre closes season with fine exhibition on Mimmo Paladino
30/12/2022, 12:58:09
Works and artists
The crosses of the Museo di San Matteo in Pisa: the world's largest collection of painted crosses
Ilaria Baratta
10/08/2024
Opinions
In what case can an exhibition space be defined as public? What happens at the Ex Slaughterhouse in Rome.
03/02/2026, 23:19:57
Opinions
What remains of Futurism today?
02/02/2026, 19:08:03
Opinions
Why Italy matters less and less in contemporary art (and what could still save it)
31/01/2026, 16:11:13
Works and artists
Giuseppe Baldini, rediscovering the first master of Fattori and Corcos.
30/01/2026, 10:02:02
Works and artists
Arthur Szyk, the artist who fought Nazism with satire
27/01/2026, 12:38:55
Works and artists
Empoli 1925: when a small room changed the artistic destiny of a province
22/01/2026, 11:19:12
St. Galgano and the Sword in the Stone: history of the Hermitage of Montesiepi
Redazione - 04/02/2026
Saint Devote: history, faith and tradition in the heart of Monaco
Redazione - 28/01/2026
The tombs of Cortuna: a journey through the necropolis of the Etruscan city
Ilaria Baratta - 25/01/2026
The Cathedral of Monaco: art, history and faith on the Rock of the Principality
Redazione - 24/01/2026
Empoli 1925: when a small room changed the artistic destiny of a province
Redazione - 22/01/2026
MUVV, the Vercelli and Varallo network to enhance a museum heritage of excellence
Redazione - 21/01/2026
The Oceanographic Museum in Monaco: a century of underwater exploration and wonders
Redazione - 09/01/2026
The dream of Villa Cordellina Lombardi, where Tiepolo's genius overcame decay
Federico Giannini - 04/01/2026
Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society
Ilaria Baratta - 02/01/2026
St. Mary of Vezzolano, the abbey that has escaped time
Federico Giannini - 28/12/2025
The She-wolf of Siena: the tale of the fair that became a symbol of the city
Noemi Capoccia - 15/12/2025
Dragons in Tuscany: from mythology to the works of the great masters
Noemi Capoccia - 12/12/2025
Week calendar
From 04/02/2026 To 11/02/2026
This week's auctions
From 01/02/2026 To 08/02/2026
This week's TV guide
From 02/02/2026 To 09/02/2026
Exhibitions opening this week
Most read of the month
Genoa, big purchase for Palazzo Spinola: coming soon: a Lucrezia by Guido Reni
By
Federico Giannini
- published on 31/01/2026 alle 22:36:32
-
0 Commenti
Jack Vettriano at Milan's Permanente: instruction manual for a poorly functioning exhibition
By
Francesca Anita Gigli
- published on 09/01/2026 alle 19:22:01
-
0 Commenti
Let's not get any fancy ideas about the Basilica of Vitruvius.
By
Federico Giannini
- published on 28/01/2026 alle 21:04:10
-
0 Commenti
Crumbs for culture. If the government cuts 90% on MiC strategic programming.
By
Federico Giannini
- published on 11/01/2026 alle 12:11:21
-
0 Commenti
Why Italy matters less and less in contemporary art (and what could still save it)
By
Fabio Cavallucci
- published on 31/01/2026 alle 16:11:13
-
0 Commenti
Contemporary art of 2025 is women. What emerges from the ranking of the best exhibitions
By
Federico Giannini
- published on 07/01/2026 alle 18:28:49
-
0 Commenti
Why do we say a landscape "looks like a painting"? A brief history of the gaze
By
Federico Giannini
- published on 14/01/2026 alle 12:25:11
-
0 Commenti
The private collector: savior or jailer of art?
By
Federica Schneck
- published on 08/01/2026 alle 20:09:18
-
0 Commenti
Giuseppe Baldini, rediscovering the first master of Fattori and Corcos.
By
Jacopo Suggi
- published on 30/01/2026 alle 10:02:02
-
0 Commenti
What remains of Futurism today?
By
Federica Schneck
- published on 02/02/2026 alle 19:08:03
-
0 Commenti