Who is Carlo Alberto Bucci

Carlo Alberto Bucci
Nato a Roma nel 1962, Carlo Alberto Bucci si è laureato nel 1989 alla Sapienza con Augusto Gentili. Dalla tesi, dedicata all’opera di “Bartolomeo Montagna per la chiesa di San Bartolomeo a Vicenza”, sono stati estratti i saggi sulla “Pala Porto” e sulla “Presentazione al Tempio”, pubblicati da “Venezia ‘500”, rispettivamente, nel 1991 e nel 1993. È stato redattore a contratto del Dizionario biografico degli italiani dell’Istituto dell’Enciclopedia italiana, per il quale ha redatto alcune voci occupandosi dell’assegnazione e della revisione di quelle degli artisti. Ha lavorato alla schedatura dell’opera di Francesco Di Cocco con Enrico Crispolti, accanto al quale ha lavorato, tra l’altro, alla grande antologica romana del 1992 su Enrico Prampolini. Nel 2000 è stato assunto come redattore del sito Kataweb Arte, diretto da Paolo Vagheggi, quindi nel 2002 è passato al quotidiano La Repubblica dove è rimasto fino al 2024 lavorando per l’Ufficio centrale, per la Cronaca di Roma e per quella nazionale con la qualifica di capo servizio. Ha scritto numerosi articoli e recensioni per gli inserti “Robinson” e “il Venerdì” del quotidiano fondato da Eugenio Scalfari. Si occupa di critica e di divulgazione dell’arte, in particolare moderna e contemporanea (nella foto del 2024 di Dino Ignani è stato ritratto davanti a un dipinto di Giuseppe Modica).

All the articles by Carlo Alberto Bucci on Finestre sull'Arte


Matthias Stom, an elusive Caravaggesque. What the Brescia exhibition looks like

Matthias Stom, an elusive Caravaggesque. What the Brescia exhibition looks like

The lit candle and the color of the heat illuminating the hand, open to cover the flame in a gesture of protection and awe. The color play that adds artificial light to the light inside the painting. However, to make the spirituality of the image, th...
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When painting breathes: Giovanni Frangi's Nobu at Elba. What the exhibition at Palazzo Citterio looks like.

When painting breathes: Giovanni Frangi's Nobu at Elba. What the exhibition at Palazzo Citterio looks like.

Milan. In the deep darkness that precedes dawn - but in the glow of dawn we will discover another and more intense sense of bewilderment in the pictorial blackness that surrounds us - what strikes us about Nobu at Elba is the intense smell emanating ...
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Untitled: why so many artists do not name their works. A book by Chiara Ianeselli

Untitled: why so many artists do not name their works. A book by Chiara Ianeselli

Simple, impersonal, silent, even obvious. Yet behind the Untitled title of a great many works of art-most of them, titling being a fairly recent invention-flies the banner of a quest that has proudly set itself free from the dominance of words, from ...
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Francesco Ciusa, Sardinia rediscovers sculptor who turned pain into eternal myth

Francesco Ciusa, Sardinia rediscovers sculptor who turned pain into eternal myth

From a young man of good hopes, capable of infusing humanity and formal purity into the albeit crude realism, to a great forgotten of Italian art, between the two wars and in the second half of the last century. Francesco Ciusa (Nuoro, 1883 - Cagliar...
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From the Srebrenica massacre to today, spaces of resistance: what the Rome exhibition looks like

From the Srebrenica massacre to today, spaces of resistance: what the Rome exhibition looks like

The austere space of the former Campo Boario in Rome, the industrial archeology of Pavilion B of the Testaccio Slaughterhouse regenerated years ago into a space for contemporary art exhibitions, acquires -again- a dramatic symbolic value by hosting n...
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When art went on the move: the Italy of experimental animation. What the exhibition in Rome looks like

When art went on the move: the Italy of experimental animation. What the exhibition in Rome looks like

From the Paleolithic masters who painted the bison race in the Lascaux caves to the "dynamic" little dog in Giacomo Balla's 1912 painting, painters have always dreamed of depicting movement. And they have often succeeded, thanks to tricks of perspect...
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When art shakes consciences: Adrian Paci brings works on migrants to Rome. What the exhibition looks like

When art shakes consciences: Adrian Paci brings works on migrants to Rome. What the exhibition looks like

It is sculpture, despite the fact that it is a video that conveys it, the language that characterizes Adrian Paci's new, extensive project. No man is an island, the exhibition that marks the second installment of the series conceived by Cristiana Per...
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Still being euphoric at 94. What Tomaso Binga's exhibition in Naples looks like.

Still being euphoric at 94. What Tomaso Binga's exhibition in Naples looks like.

The museum, the home of the muses as an open space for sharing with the public, and not a mausoleum where they sing, celebrate and mummify their work. This is how Bianca Pucciarelli in Menna, aka Tomaso Binga, showed up at 94 years old, wheelchair-bo...
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