Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


David Salle on display in Venice: "I train artificial intelligence on my visual archive"

David Salle on display in Venice: "I train artificial intelligence on my visual archive"

Can painting andAI interact in the creation of a work of art? Concrete proof of this are the new works by David Salle (Oklahoma, 1952), which arise from the encounter between painting and artificial intelligence, in an unprecedented dialogue that red...
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Giovanni Boldini beyond portraits: Lucca exhibition rediscovers a total painter

Giovanni Boldini beyond portraits: Lucca exhibition rediscovers a total painter

Giacomo Puccini 's most famous arias immediately immerse us in the atmosphere of the Belle Époque, the same atmosphere breathed by Giovanni Boldini, the painter of the elegant and seductive women who lived in the fascinating and vital period b...
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A bonsai museum or an exhibition in a box? The wonders of the Habsburgs in Rome, double review

A bonsai museum or an exhibition in a box? The wonders of the Habsburgs in Rome, double review

Why yes. Federico Giannini If the museum is a ruthless apparatus for organizing the visible, a distorted device for classifying images, all the less reasonable and all the more perverse must inevitably appear any miniaturization of it, any reduction...
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Spring as a state of mind: when we too begin to bloom again

Spring as a state of mind: when we too begin to bloom again

Between the rigors of winter and the explosion of summer, there is a season when shyly nature is reborn and blooms again. We notice it in the meadows filled with daisies, in the branches of trees, in the tiny buds that put seedlings on our balconies ...
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When Milan was the workshop of Neoclassicism. What the Gallerie d'Italia exhibition looks like.

When Milan was the workshop of Neoclassicism. What the Gallerie d'Italia exhibition looks like.

Keeping the attention of visitors along the entire path of an exhibition is no easy thing, especially when investigating a historical-artistic period, such as Neoclassicism and its major protagonists, to which a conspicuous number of exhibition proje...
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St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

... and the knight saved the princess from the terrible dragon. It sounds like thehappy ending of one of those fairy tales we used to read to each other as children, already under the blankets, before falling asleep, but in fact the story of St. Geor...
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Seven museums, one vision: the Accademia and Bargello revolution. Director Andreina Contessa speaks

Seven museums, one vision: the Accademia and Bargello revolution. Director Andreina Contessa speaks

Last July, Andreina Contessa was appointed director of the newly formed Galleria dell'Accademia di Firenze and Musei del Bargello museum system, which includes the Galleria dell'Accademia di Firenze, the Museo Nazionale del Bargello, the Museo delle ...
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Antonello da Messina's Ecce Homo, how the negotiations went: talks Fabrizio Moretti

Antonello da Messina's Ecce Homo, how the negotiations went: talks Fabrizio Moretti

It had already hinted at a major private purchase negotiation that Antonello da Messina 'sEcce Homo had been withdrawn a few hours before theauction at Sotheby's on Feb. 5, an auction that was shaping up to be one of the most notable this year, and i...
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