Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


Arthur Szyk, the artist who fought Nazism with satire

Arthur Szyk, the artist who fought Nazism with satire

A man bent over a drawing board as the whole world seems to be sliding into the abyss. In his hand a small nib dipped in ink: this is how Arthur Szyk (Łódź, 1894 - New Canaan, Cunnecticut, 1951) portrays himself on the title page of Ink and Bl...
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The tombs of Cortuna: a journey through the necropolis of the Etruscan city

The tombs of Cortuna: a journey through the necropolis of the Etruscan city

Cortona, ancient Curtun, was one of the most influential cities ofinner Etruria. The signs of the Etruscan civilization are therefore evident both in the urban fabric and in the necropolis: in fact, it is enough to move a little farther from the hist...
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How ugly envy is: its depictions in art

How ugly envy is: its depictions in art

It is perhaps one of the oldest feelings in existence:envy lurks in the minds of those who desire but do not possess, whether it be personal qualities, achievements, relationships or material goods, and arises from the awareness of one's own lack or ...
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Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

The cultural interaction between Etruscans and Greeks, in what is referred to as Hellenistic Etruria, represents one of the most significant phenomena of antiquity, which left a profound imprint on art, religion and social organization. Indeed, Etrur...
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Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

The happy event has taken place: the Virgin lifts two flaps of the white cloth covering the cradle inside which lies the sleeping newborn Child, to reveal Him to the shepherds who have come to adore Him along with their lambs, an ox and a dog. One, ...
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Berthe Weill, the rebel who discovered Picasso and the avant-garde before anyone else. What the exhibition looks like

Berthe Weill, the rebel who discovered Picasso and the avant-garde before anyone else. What the exhibition looks like

Today, if we think about it, it is not unusual to come across female art gallerists: they welcome visitors to their galleries, in Italy as well as abroad, on a par with their fellow gallery owners, and even at the many art fairs that take place throu...
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Getting wrapped up in Chiharu Shiota's invisible textures: what the exhibition at MAO Turin looks like

Getting wrapped up in Chiharu Shiota's invisible textures: what the exhibition at MAO Turin looks like

There has been talk on more than one occasion on these pages about the increasing presence in exhibitions, biennials and art fairs of spectacular installations, of works that are immediately striking for their visual power but are often fragile or su...
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The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

It could have been titled Les Italiens de Paris the Belle Époque exhibition currently running at Palazzo Blu in Pisa until April 7, 2026, and indeed the subtitle reads "Italian Painters in Paris in the Age of Impressionism." In fact, the prota...
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