Who is Ilaria Baratta

Ilaria Baratta

Giornalista, è co-fondatrice di Finestre sull'Arte con Federico Giannini. È nata a Carrara nel 1987 e si è laureata a Pisa. È responsabile della redazione di Finestre sull'Arte.


All the articles by Ilaria Baratta on Finestre sull'Arte


St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

St. George from martyr to knight, the myth of Genoa. What the exhibition at the Royal Palace looks like

... and the knight saved the princess from the terrible dragon. It sounds like thehappy ending of one of those fairy tales we used to read to each other as children, already under the blankets, before falling asleep, but in fact the story of St. Geor...
Read more...
Seven museums, one vision: the Accademia and Bargello revolution. Director Andreina Contessa speaks

Seven museums, one vision: the Accademia and Bargello revolution. Director Andreina Contessa speaks

Last July, Andreina Contessa was appointed director of the newly formed Galleria dell'Accademia di Firenze and Musei del Bargello museum system, which includes the Galleria dell'Accademia di Firenze, the Museo Nazionale del Bargello, the Museo delle ...
Read more...
Antonello da Messina's Ecce Homo, how the negotiations went: talks Fabrizio Moretti

Antonello da Messina's Ecce Homo, how the negotiations went: talks Fabrizio Moretti

It had already hinted at a major private purchase negotiation that Antonello da Messina 'sEcce Homo had been withdrawn a few hours before theauction at Sotheby's on Feb. 5, an auction that was shaping up to be one of the most notable this year, and i...
Read more...
Arthur Szyk, the artist who fought Nazism with satire

Arthur Szyk, the artist who fought Nazism with satire

A man bent over a drawing board as the whole world seems to be sliding into the abyss. In his hand a small nib dipped in ink: this is how Arthur Szyk (Łódź, 1894 - New Canaan, Cunnecticut, 1951) portrays himself on the title page of Ink and Bl...
Read more...
The tombs of Cortuna: a journey through the necropolis of the Etruscan city

The tombs of Cortuna: a journey through the necropolis of the Etruscan city

Cortona, ancient Curtun, was one of the most influential cities ofinner Etruria. The signs of the Etruscan civilization are therefore evident both in the urban fabric and in the necropolis: in fact, it is enough to move a little farther from the hist...
Read more...
How ugly envy is: its depictions in art

How ugly envy is: its depictions in art

It is perhaps one of the oldest feelings in existence:envy lurks in the minds of those who desire but do not possess, whether it be personal qualities, achievements, relationships or material goods, and arises from the awareness of one's own lack or ...
Read more...
Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

Hellenistic Etruria: how the Greeks influenced Etruscan art, religion and society

The cultural interaction between Etruscans and Greeks, in what is referred to as Hellenistic Etruria, represents one of the most significant phenomena of antiquity, which left a profound imprint on art, religion and social organization. Indeed, Etrur...
Read more...
Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

Jacopo Bassano's rhetoric-free Nativity that anticipated Caravaggio

The happy event has taken place: the Virgin lifts two flaps of the white cloth covering the cradle inside which lies the sleeping newborn Child, to reveal Him to the shepherds who have come to adore Him along with their lambs, an ox and a dog. One, ...
Read more...

123...37Pagina 1 di 37