Exhibition reviews


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In Lucca, Open Group collective forces you to look war in Ukraine in the eye

In Lucca, Open Group collective forces you to look war in Ukraine in the eye

Many will have been impressed by the Poland Pavilion at the 2024 Venice Biennale, featuring the participatory video installation Repeat after me II by the Open Group collective (Yuriy Biley, Pavlo Kovach, Anton Varga). The protagonists of the two vid...
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John Singer Sargent, cosmopolitan painter. What the Musée d'Orsay exhibition looks like.

John Singer Sargent, cosmopolitan painter. What the Musée d'Orsay exhibition looks like.

The European visitor to New York's Metropolitan Museum of Art who enters the unfamiliar and seductive space that is the American Wing, under its stained-glass windows that seem to seal off the works on display as if inside a crystal temple, cannot fa...
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Getting wrapped up in Chiharu Shiota's invisible textures: what the exhibition at MAO Turin looks like

Getting wrapped up in Chiharu Shiota's invisible textures: what the exhibition at MAO Turin looks like

There has been talk on more than one occasion on these pages about the increasing presence in exhibitions, biennials and art fairs of spectacular installations, of works that are immediately striking for their visual power but are often fragile or su...
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The rediscovery of Paul Troubetzkoy starts in Paris. What the Musée d'Orsay exhibition looks like.

The rediscovery of Paul Troubetzkoy starts in Paris. What the Musée d'Orsay exhibition looks like.

Enzo Azzoni, a ninety-five-year-old Verbano photographer and runner who at his young age still continues to win Italian masters championships in track and field, is right. He is right when he says that we must not forget that today we can know and ap...
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When debris blooms. Miyazaki transforms Imola into a garden suspended in time.

When debris blooms. Miyazaki transforms Imola into a garden suspended in time.

After exhibitions by Bertozzi & Casoni and Germano Sartelli, Imola vibrantly and intelligently continues an interesting journey into modern and contemporary art. The works of Keita Miyazaki (Tokyo, 1983) enter the rooms of Palazzo Tozzoni(Keita M...
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Laure Prouvost, when art goes quantum. What the exhibition at OGR in Turin looks like.

Laure Prouvost, when art goes quantum. What the exhibition at OGR in Turin looks like.

The debate on the intersection of art and science has experienced a significant acceleration in recent years in exploring the aesthetic possibilities offered by emerging technologies, as evidenced, one example above all, by the section The Unfinished...
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Andrea Appiani beyond Napoleon: Milan rediscovers the painter of beauty. What the exhibition looks like

Andrea Appiani beyond Napoleon: Milan rediscovers the painter of beauty. What the exhibition looks like

Almost half of what is preserved at the Brera Art Gallery is due to the ideas and taste of a man, Andrea Appiani, who was well regimented within the Napoleonic bureaucratic apparatus. Right from the start: as early as 1796, the year of Napoleon's arr...
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The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like

It could have been titled Les Italiens de Paris the Belle Époque exhibition currently running at Palazzo Blu in Pisa until April 7, 2026, and indeed the subtitle reads "Italian Painters in Paris in the Age of Impressionism." In fact, the prota...
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Georges de La Tour chokes at Jacquemart-André: what the Paris exhibition is like.

Georges de La Tour chokes at Jacquemart-André: what the Paris exhibition is like.

An exhibition on Georges de la Tour is already an event even before it opens. And the one that has been running since mid-September at the Musée Jacquemart-André in Paris(Georges de la Tour. Entre ombre et lumière) was announced ...
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Nomellini and the restless city: how Genoa ignited Italian symbolism. What the exhibition looks like

Nomellini and the restless city: how Genoa ignited Italian symbolism. What the exhibition looks like

The history of Italian pointillism passes through Genoa. Pass through Genoa the social unrest that would later spill over into the arts. Passing through Genoa were the first Symbolist hotbeds that animated Italian painting in the latter part of the 1...
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Boccaccio Boccaccino's luminous renaissance: what the Cremona exhibition looks like

Boccaccio Boccaccino's luminous renaissance: what the Cremona exhibition looks like

On September 27, 2023, a painting depicting two saints, a bishop and a portrait of the patron made its appearance at theMillon auction held in Cremona: it was the only surviving fragment of Boccaccio Boccaccino's so-called Fodri Altarpiece. Also know...
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Cartier and Sandretto, Paris and Turin: two ways of telling the present of art

Cartier and Sandretto, Paris and Turin: two ways of telling the present of art

Caps jumping, splashing, flying in all directions above and below the Alps. They celebrated, the lords of contemporary art. They've kept the finest bottles chilled and popped them at that time of year when the hordes of pilgrims, devotees, enthusiast...
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Treasures of the Pharaohs from Cairo to Rome. Here's what the exhibition at the Scuderie del Quirinale looks like

Treasures of the Pharaohs from Cairo to Rome. Here's what the exhibition at the Scuderie del Quirinale looks like

The urge to know our origins and to cherish the memory of the past has accompanied man since his earliest days. From the earliest burials enriched by objects belonging to ancestors to the recovery of vestiges and monuments, every civilization has sou...
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Jacques-Louis David political: in Paris the revolutionary painter. What the Louvre exhibition looks like

Jacques-Louis David political: in Paris the revolutionary painter. What the Louvre exhibition looks like

It is surprising that there is little or no talk in Italy about the muscular exhibition that the Louvre has organized to reconstruct the story of Jacques-Louis David exactly two hundred years after his death. In terms of completeness and volume of ma...
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Man Ray at the Royal Palace: when error becomes language. What the exhibition looks like

Man Ray at the Royal Palace: when error becomes language. What the exhibition looks like

Photography, since its origins, has invited experimentation. Overlaps, overexposures, technical accidents that turn into new expressive codes, unforeseen derivations of the main language. Man Ray was an absolute master of these discoveries, starting ...
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Letizia Battaglia's consecration at last. What the exhibition in Forli looks like.

Letizia Battaglia's consecration at last. What the exhibition in Forli looks like.

Certain documentary-style shots, besides standing out in isolation in the teeming iconographic firmament of recent reportage history for the eloquence of a phenomenon effectively risen to noumenon, are candidates to become staples of photography tout...
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