Piazza Mignanelli has been filled with mirrors since Joana Vasconcelos brought us her I'll be your mirror, the work that, if you will, acts as an overture to her solo show Venus, set up a few meters ahead in the rooms of PM23, the Valentino Garavani ...
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... and the knight saved the princess from the terrible dragon. It sounds like thehappy ending of one of those fairy tales we used to read to each other as children, already under the blankets, before falling asleep, but in fact the story of St. Geor...
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If there is one thing Anselm Kiefer is not afraid of, it is confrontation with the past: whether it is his personal experience or the installation of works in historically highly connoted contexts, the artist always manages to trigger short circuits ...
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In order to enter the ascetic universe of Bartolomeo Cesi it is necessary to abandon on the threshold any sort of prejudice connected with the times and places in which he painted, it is necessary to clear one's mind of any preconception about the ar...
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A man walks through downtown Vancouver carrying something in a paper bag. We also see him in profile as, in another moment of the story in which he is both protagonist and extra, he talks to a woman leaning against the wall of a house. A second woman...
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Big data, chatbots, artificial intelligence, virtual reality, predictive modeling, Internet of Things (IoT): the list could go on with a long list of neologisms coined in recent decades to designate the technological applications by which our collect...
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When there was the presentation to the press of the exhibition that the Opera della Primaziale of Pisa wanted to dedicate to the centenary of the relocation of Giovanni Pisano's pulpit in the cathedral, the piece that most attracted the attentions of...
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"Calabria, where I was born, for me is perfume, dazzling light, shadows." There was no more congenial place than Reggio Calabria and the National Archaeological Museum (MArRC) to celebrate with an exhibition in his hometown the creative genius of Gia...
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It may sound strange, but it has been thirty years since Nicolas Bourriaud, it was 1996, began to establish the contours of his very successful "relational art" formula, and until today no one, before the exhibition that invades the second floor of t...
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The lit candle and the color of the heat illuminating the hand, open to cover the flame in a gesture of protection and awe. The color play that adds artificial light to the light inside the painting. However, to make the spirituality of the image, th...
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It is by no means easy to organize thematic multimedia group exhibitions by enhancing the breath and specificities of multiple works without the end result being dissonant, and it is even more difficult to orchestrate curatorial reasoning on topical ...
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Just over thirty-five years have passed since Paolo Canevari held his first solo exhibition in New York: it was 1989, the 1980s had evaporated, consuming everything or almost everything, Basquiat and Warhol had died of AIDS and overdose (and many oth...
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There are exhibitions that risk penalizing an artist and exhibitions that risk penalizing an audience. Rarer, and more instructive, are those that manage to take both risks with such a coherent design that the error is transformed into an exhibition ...
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To crown Nan Goldin's more than 40-year career, the Moderna Museet in Stockholm, in collaboration with the Pirelli HangarBicocca in Milan, the Stedelijk Museum in Amsterdam, the Neue Nationalgalerie in Berlin and the Grand Palais Rmn in Paris, has or...
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The figure of Jeff Wall (Vancouver, 1946) represents a decisive juncture in the history of contemporary photography: the artist, beginning in the late 1970s, was among the first to problematize the status of the topical photographic image, moving it ...
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Today, if we think about it, it is not unusual to come across female art gallerists: they welcome visitors to their galleries, in Italy as well as abroad, on a par with their fellow gallery owners, and even at the many art fairs that take place throu...
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