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Interviews
"Museums should excite": interview with Gianluca De Felice
Federico Giannini
, 03/12/2025
Exhibition reviews
Getting wrapped up in Chiharu Shiota's invisible textures: what the exhibition at MAO Turin looks like
Ilaria Baratta
, 03/12/2025
Ancient art
Bellini's Pietà finally restored returns to Venice after 70 years, in dialogue with Mantegna
03/12/2025, 21:03:26
Exhibitions
Rome on stage at Ponti Art Gallery: four centuries of views between streets and squares
03/12/2025, 18:30:56
Market
Auctions of the week: art, design, jewelry, watches and antique manuscripts
03/12/2025, 18:30:42
News
Concrete pouring around the Mausoleum of Lucius Munazio Planco in Gaeta: controversy ensues
03/12/2025, 17:31:30
Exhibitions
Milan, Cadogan Gallery hosts Gabriele Cappelli's first Italian exhibition, featuring previously unseen works
03/12/2025, 17:15:34
News
Accessibility in Pisa: a year of interventions and new services for the monuments of Piazza dei Miracoli
03/12/2025, 16:42:28
Exhibitions
Off-piste in Bergamo: art interprets winter sports
03/12/2025, 15:01:22
Exhibitions
Modenantiquaria 2026: the thirty-ninth edition of High Antiques in February
03/12/2025, 15:01:00
Exhibitions
Over 120,000 visitors reached at Beato Angelico exhibition in Florence
03/12/2025, 14:16:27
News Focus
Bologna, Arte Fiera 2024 starts. The preview images
Redazione
01/02/2024
Works and artists
Artemisia Gentileschi's Judith: a reinterpretation of the theme in the art-historical context of the early 17th century
Ilaria Baratta
13/06/2018
Exhibition reviews
When a box set is a Wunderkammer wonder. What the Mirabilia Estensi exhibition in Ferrara looks like.
12/05/2024, 02:49:32
Exhibition reviews
Children's games from around the world. Francis Alÿs' poetry at the Venice Biennale
21/09/2022, 20:13:50
Exhibition reviews
Daniel Buren in Pistoia: an opportunity to rethink his entire journey. What the exhibition looks like
05/06/2025, 16:23:52
Exhibition reviews
All-female: the exhibition on Gabriele Münter, companion of Vasily Kandinsky and co-founder of the Blue Knight
08/11/2018, 01:23:23
Exhibition reviews
Piranesi's Rome in the Views of the National Gallery of Umbria: a fine exhibition
14/12/2022, 13:55:36
Exhibition reviews
The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like
21/11/2025, 18:17:06
Works and artists
Chanel No. 5: history and design of the most famous perfume ever
Monica Sperandio
07/11/2024
Opinions
Caravaggio in Rome: an ambitious documentary, but with too many simplifications
02/12/2025, 13:17:40
Opinions
Art in countries without an art market. How does it work?
29/11/2025, 15:45:33
Opinions
Art as a map of conflicts: visions, memories, and creative responsibilities
28/11/2025, 18:35:45
Works and artists
Lia Pasqualino: the silent portraitist who captures the soul in waiting
02/12/2025, 13:20:47
Works and artists
The Etruscans in comics: a journey into reinterpretations of an enigmatic civilization
01/12/2025, 18:41:33
Works and artists
The advertising vehicles that defined the imagery of Italian fashion.
26/11/2025, 19:50:00
Art Bonus at the Fattori Museum in Livorno: restorations and interventions for 143,152.14 euros
Redazione - 29/11/2025
The Serpent Regulus, the little king crawling in Tuscany between folklore and art
Redazione - 26/11/2025
The Mantua section of the Via Carolingia: retracing the steps of Charlemagne among villages and landscapes
Redazione - 24/11/2025
Art Nouveau itinerary in Mugello: discovering the heritage of the Chinis and their works
Noemi Capoccia - 19/11/2025
Ten objects to learn about the life and culture of the Etruscans
Noemi Capoccia - 15/11/2025
The crafts of Romagna: tradition and craftsmanship between the hills and the sea
Redazione - 12/11/2025
The animals of the Palio and where to find them: symbols and identity of the Contrade of Siena
Noemi Capoccia - 07/11/2025
St. John's Hospital in Bruges, the museum that holds Memling's works
Redazione - 29/10/2025
The Rotunda of Rovigo, the shrine that became a mirror of Venetian power
Federico Giannini - 26/10/2025
Holy Trinity from Lorenzo Monaco to Beato Angelico: the secret workshop of the Renaissance
Federico Giannini, Ilaria Baratta - 21/10/2025
The Chimera of Arezzo: history of the most important and famous Etruscan bronze
Federico Giannini, Ilaria Baratta - 08/10/2025
The Palace of Museums in Reggio Emilia, a radical museum. Tour through Italo Rota's installation.
Marta Santacatterina - 30/09/2025
Week calendar
From 03/12/2025 To 10/12/2025
This week's auctions
From 30/11/2025 To 07/12/2025
This week's TV guide
From 01/12/2025 To 08/12/2025
Exhibitions opening this week
Most read of the month
Audio from Andreotti trial pops up on Caravaggio cut into pieces
By
Michele Cuppone
- published on 04/11/2025 alle 15:31:22
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0 Commenti
Treasures of the Pharaohs from Cairo to Rome. Here's what the exhibition at the Scuderie del Quirinale looks like
By
Noemi Capoccia
- published on 10/11/2025 alle 12:35:11
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0 Commenti
The failure of the post-conceptual: on the proliferation of impactful but meaningless installations
By
Federica Schneck
- published on 07/11/2025 alle 17:51:48
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0 Commenti
The Italiens de Paris: the Belle Époque told at Palazzo Blu. What the Pisa exhibition is like
By
Ilaria Baratta
- published on 21/11/2025 alle 18:17:06
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0 Commenti
Ten objects to learn about the life and culture of the Etruscans
By
Noemi Capoccia
- published on 15/11/2025 alle 21:06:01
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0 Commenti
Jacques-Louis David political: in Paris the revolutionary painter. What the Louvre exhibition looks like
By
Federico Giannini
- published on 09/11/2025 alle 12:20:42
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0 Commenti
A nightmare for Botticelli. If the painter is accused of inventing feminicide.
By
Stéphane Toussaint
- published on 06/11/2025 alle 18:34:44
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0 Commenti
Cartier and Sandretto, Paris and Turin: two ways of telling the present of art
By
Federico Giannini
- published on 12/11/2025 alle 21:03:50
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0 Commenti
Boccaccio Boccaccino's luminous renaissance: what the Cremona exhibition looks like
By
Marta Santacatterina
- published on 13/11/2025 alle 16:44:23
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0 Commenti
Interview with Stella Falzone, director of MArTA: "Our museum? A place in eternal evolution."
By
Noemi Capoccia
- published on 18/11/2025 alle 16:25:12
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0 Commenti